The Story of Duciehurst: A Tale of the MississippiCraddock, Charles Egbert
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The Story of Duciehurst: A Tale of the Mississippi
Craddock, Charles Egbert
Mississippi River -- Fiction
“I was afraid--you would feel,” faltered Adrian.
“Is that what’s the matter with you? You look awfully muffish.”
“Well,--as you loved her once,--I thought----”
“That was a case of mistaken identity,” said Randal. “Can’t you realize
that it is just because she _could_ prefer another man; that she could
think a thought of change; that her plighted faith could be broken; that
her love,--or what we called love,--could take unto itself wings and fly
away; that she was only an illusion, a delusion, a snare. I never loved
the woman she is.”
“She is very beautiful,” hesitated Adrian.
“When I thought her mind and heart matched her face she seemed beautiful
to me, too,” said Randal.
“You will think so still.”
“Kid, you know nothing about love. A man truly in love may have been
attracted by beauty, but it is not that which holds him. It is a unity
of soul; he finds a complement of mind; he has a sense of sympathy and,
through thick and thin, a partisan, constant faith in a reciprocal
heart. He gets used to the prettiest face and it makes little impression
on him,--just as he wouldn’t notice, after a time, a fine costume. She
is nothing that I imagined. She is not now, and she never was the ideal
I loved. I don’t regret her. Don’t grieve for me, little boy. And now
will you be so kind as to take those paws off my neck,--you are half
strangling me with your fraternal anxiety. Behold, I will smite you
under the fifth rib.”
There was once more a brief, boyish scuffle. Then the two turned and
came walking decorously back to the group on the portico. The exterior
aspect of the old ruin had an added majesty by daylight, despite the
more obvious injuries of wreckage. Its fine proportions, the blended
elegance and stateliness of its design, the richness even in the
restraint of its ornamentation, all showed with telling effect, apart
from the wild work within of the marauders. These details the rude
usage it had received could not affect. It might have stood as an
imposing architectural example of a princely residence of the date of
its erection, and it was impossible to gaze upon it with a sense of
possessing it, and feel no glow of gratulation.
“Why, the item of glass alone would be a corker,” a practical man was
saying, walking backward down the stone pavement and surveying the great
black gaps of the shattered windows.
Public-domain text, read in full here on John Shaqi.
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