The Story of Duciehurst: A Tale of the MississippiCraddock, Charles Egbert
General
The Story of Duciehurst: A Tale of the Mississippi
Craddock, Charles Egbert
Mississippi River -- Fiction
Was it sheer satiety, or was it that naught is of value when love has
flown. And it had gone--even such poor semblance as had worn its name
had vanished. She could not delude herself, though she might make shift
to masquerade in such wise that he should not know. She hoped for this,
for she had begun to fear him. He was so arrogant, so self-sufficient,
so dominant, so coercive. She feared his frown, his surly slumbrous
eyes, his hasty outbursts of gusty temper.
One evening in this arid existence, this feast of dead-sea fruit, there
was on hand no social duty--the pretty phrase for the empty
frivolity--and she was glad of it. It was a gala night at the opera, for
a star of distinction was to sing in a Wagnerian rôle, and the
Floyd-Rosneys would occupy their box, according to their habit when
aught worth while was billed. She was dressed for the occasion and
awaiting him in the library, but he had not yet come in. She was more
placid than her wont of late, for she realized that it would rest her
nerves to be still and listen, a respite, however brief, from the
tiresome round; and she had just come from the nursery where the baby
was being put to bed--very playful, and freakish, and comical. She had
been laughing with him, and at him, and the glow of this simple
happiness was still warm in her heart when the door opened and her
husband entered. He was not yet dressed for the evening, and, as she
looked her surprise, he responded directly:
“No,--we are not going.”
He often changed his plans thus, regardless of her preferences, and she
had grown so plastic to his will that she was able to readjust her
evening or her day without regard to her previous expectations.
The spacious room might have seemed the ideal expression of a home of
culture and affluence. The walls were lined with books from floor to
ceiling, unbroken save where a painting of value and distinction was
inserted, special favorites of their owner, and placed here where his
eyes might constantly rest upon them, rather than consigned to the
gallery of his art treasures. The furniture was all of a fashion
illustrating the extremity of luxury,--such soft cushions, such elastic
springs, such deep pile into which the feet sunk treading the Oriental
rugs. Not a sound from the street nor from any portion of the house
could penetrate this choice seclusion, and over the fireplace, where the
hickory logs flared genially, the legend “Fair Quiet, have I found thee
here?” was especially accented by a finely sculptured statue of Silence,
her finger on her lip, which stood on its pedestal at a little distance
from the deep bay of a window.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account