The Story of Duciehurst: A Tale of the MississippiCraddock, Charles Egbert
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The Story of Duciehurst: A Tale of the Mississippi
Craddock, Charles Egbert
Mississippi River -- Fiction
Mr. Floyd-Rosney took his wife by the elbow. “Come on,” he said, “why
are you lagging back here,--afraid to get in the yawl?” Then he added
in a lower voice, “Can you do nothing to stop that miserable girl’s
chatter?”
But the voice, even hissing between his set teeth, was not so low that
Marjorie, being near, did not hear it. At all events, _she_ had had no
schooling in self-repression, in the humiliation of a politic deference.
She flamed out with all the normal instincts of self-asserting and
wounded pride.
“No, there isn’t any way to stop my chatter,”--she exclaimed hotly, “for
I have as good a right to talk as you. I am _not_ a ‘miserable girl.’
But I don’t care what _you_ say. I don’t train with your gang, anyhow!”
“Why, Marjorie,” cried Mrs. Floyd-Rosney, and her husband had a moment’s
relief in the expectation that the indignity offered to him would be
summarily, yet tactfully rebuked. But his wife only said, “What slang!
Is that the kind of thing you learn at Madame Gerault’s?”
She passed her arm about the girl’s shoulder, but Marjorie had as yet
learned no self-control at Madame Gerault’s or elsewhere, and burst into
stormy tears. Even after she was seated in the yawl, beside Mrs.
Floyd-Rosney, she wept persistently, and sobbed aloud. The
grief-stricken spectacle greatly affected little Ned Floyd-Rosney at the
further end of the yawl. After staring, in grave and flushed dismay and
amaze for a few moments, he made one or two spasmodic efforts to cheer
his boon companion from the distance. Then he succumbed to sympathy and
wept dolorously and loudly in concert.
Mrs. Floyd-Rosney made no effort to reach him by word or look. Her
husband, whose nerves a crying child affected with such intense
aggravation that he was seldom subjected to this annoyance, was
compelled to set his teeth in helpless discomfort, and endure the
affliction, intensified by the difference in age, and the variance in
pitch and vocal volume of the two lachrymose performers.
Public-domain text, read in full here on John Shaqi.
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