The Story of Dutch PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Dutch Painting
Caffin, Charles H. (Charles Henry)
Painting, Dutch
AMONG the portrait-painters whose work exhibits the characteristic
qualities of Dutch seventeenth-century art are Michiel Jansz van
Mierevelt (1567-1641) and Jan Anthonisz van Ravesteyn, both of whom
lived at The Hague, where they are well represented in the Mauritshuis;
Salomon de Bray (1597-1664), who lived in Haarlem, where he can be seen
to best advantage, and Paulus Moreelse (1571-1638), who was born and
lived the greater part of his life in Utrecht. To the average student of
painting the last named is probably the most interesting. The others are
highly esteemed in Holland, though it is pointed out that in the latter
part of their lives quality gave way to quantity. Indeed, they were so
prolific that one tires of trying to pick good examples out of the mass
of mediocrity. In the case of Moreelse, however, it is different. His
works, less numerous, have a choiceness of feeling and execution, his
portraits of women and children being especially gracious in conception
and treatment. Witness, for example, in the Rijks Museum the _Maria van
Utrecht_ and the portrait of a child of some seven years, _The Little
Princess_. In place of breadth and freedom, these pictures are precise
and meticulous in brushwork, the details of the costumes elaborately
reproduced, the faces softly modeled with faint greenish-gray shadows.
Yet they have character and suggest reality and possess an undeniable
charm. Somewhat broader in method is his _Portrait of a Young Lady_, in
the Budapest Museum. Seen to the waist, she is in black velvet, with
cuffs and a deep collar of exquisite point-lace. Her pleasantly
thoughtful face is painted with a somewhat dull and heavy brush, yet the
expression is that of life, and its charm is increased by the soft hair
being worn in large rolls over the ears and confined in a cap, of which
only the dainty edges of lace appear. It is a portrait of singularly
choice refinement.
To the occasional portraiture of the genre artists Maes, Terborch, and
Netscher we have alluded in another chapter.
CHAPTER X
LANDSCAPE
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