In 1878 Mr. Edison announced his invention of a machine for the
storage and reproduction of speech, and the announcement was
received with a good deal of incredulity, notwithstanding the
partial success of Faber and others in devising mechanical
articulators. The simplicity of Edison's invention when it was
seen and heard elicited much admiration, and although his first
instrument was obviously imperfect, it was nevertheless regarded
as the germ of something better. If the words spoken into the
instrument were heard in the first place, the likeness of the
reproduction was found to be unmistakable. Indeed, so faithful was
the replica, that a member of the Academy of Sciences, Paris,
stoutly maintained that it was due to ventriloquism or some other
trickery. It was evident, however, that before the phonograph
could become a practical instrument, further improvements in the
nicety of its articulation were required. The introduction of the
electric light diverted Mr. Edison from the task of improving it,
although he does not seem to have lost faith in his pet invention.
During the next ten years he accumulated a large fortune, and was
the principal means of introducing both electric light and power
to the world at large. This done, however, he returned to his
earlier love, and has at length succeeded in perfecting it so as
to redeem his past promises and fulfill his hopes regarding it.
The old instrument consisted, as is well known, of a vibrating
tympan or drum, from the centre of which projected a steel point
or stylus, in such a manner that on speaking to the tympan its
vibrations would urge the stylus to dig into a sheet of tinfoil
moving past its point. The foil was supported on a grooved barrel,
so that the hollow of the groove behind it permitted the foil to
give under the point of the stylus, and take a corrugated or wavy
surface corresponding to the vibrations of the speech. Thus
recorded on a yielding but somewhat stiff material, these
undulations could be preserved, and at a future time made to
deflect the point of a similar stylus, and set a corresponding
diaphragm or tympan into vibration, so as to give out the original
sounds, or an imitation of them.
Tinfoil, however, is not a very satisfactory material on which to
receive the vibrations in the first place. It does not precisely
respond to the movements of the marking stylus in taking the
impression, and does not guide the receiving stylus sufficiently
well in reproducing sounds. Mr. Edison has therefore adopted wax
in preference to it; and instead of tinfoil spread on a grooved
support, he now employs a cylinder of wax to take the print of the
vibrations. Moreover, he no longer uses the same kind of diaphragm
to print and receive the sounds, but employs a more delicate one
for receiving them. The marking cylinder is now kept in motion by
an electric motor, instead of by hand-turning, as in the earlier
instrument.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account