The first Gothic cloisters belong to the epoch of the foundation of the church, and were probably designed by Arnolfo himself; the second, early Renaissance, are Brunelleschi's. The Refectory, which is entered from the first cloisters, contains a fresco of the Last Supper--one of the earliest renderings of this theme for monastic dining-rooms--which used to be assigned to Giotto, and is probably by one of his scholars. This room had the invidious honour of being the seat of the Inquisition, which in Florence had always--save for a very brief period in the thirteenth century--been in the hands of the Franciscans, and not the Dominicans. It never had any real power in Florence--the _bel viver fiorentino_, which, even in the days of tyranny, was always characteristic of the city, was opposed to its influence. The beautiful chapel of the Pazzi was built by Brunelleschi; its frieze of Angels' heads is by Donatello and Desiderio; within are Luca della Robbia's Apostles and Evangelists. Jacopo Pazzi had headed the conspiracy against the Medici in 1478, and, after attempting to raise the people, had been captured in his escape, tortured and hanged. It was said that he had cried in dying that he gave his soul to the devil; he was certainly a notorious gambler and blasphemer. When buried here, the peasants believed that he brought a curse upon their crops; so the rabble dug him up, dragged the body through the streets, and finally with every conceivable indignity threw it into the Arno. Behind Santa Croce two streets of very opposite names and traditions meet, the _Via Borgo Allegri_ (which also intersects the Via Ghibellina) and the _Via dei Malcontenti_; the former records the legendary birthday of Italian painting, the latter the mournful processions of poor wretches condemned to death.