The _Sagrestia Vecchia_, founded by Giovanni di Averardo, was erected
by Brunelleschi and decorated by Donatello for Cosimo the Elder. In
the centre is the marble sarcophagus, adorned with _putti_ and
festoons, containing the remains of Giovanni and his wife Piccarda,
Cosimo's father and mother, by Donatello. The bronze doors (hardly
among his best works), the marble balustrade before the altar, the
stucco medallions of the Evangelists, the reliefs of patron saints of
the Medici and the frieze of Angels' heads are all Donatello's; also
an exceedingly beautiful terracotta bust of St. Lawrence, which is one
of his most attractive creations. In the niche on the left of the
entrance is the simple but very beautiful tomb of the two sons of
Cosimo, Piero and Giovanni--who are united also in Botticelli's
Adoration of the Magi as the two kings--and it serves also as a
monument to Cosimo himself; it was made by Andrea Verrocchio for
Lorenzo and Giuliano, Piero's sons. The remains of Lorenzo and
Giuliano rested together in this sacristy until they were translated
in the sixteenth century. In spite of a misleading modern inscription,
they were apparently not buried in their father's grave, and the
actual site of their former tomb is unknown. They now lie together in
the _Sagrestia Nuova_. The simplicity of these funereal monuments and
the _pietàs_ which united the members of the family so closely, in
death and in life alike, are very characteristic of these earlier
Medicean rulers of Florence.
Public-domain text, read in full here on John Shaqi.
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