The _Sala del Perugino_ takes its name from three works of that master
which it contains; the great Vallombrosa Assumption (57), signed and
dated 1500, one of the painter's finest altar pieces, with a very
characteristic St. Michael--the Archangel who was by tradition the
genius of the Assumption, as Gabriel had been of the Annunciation; the
Deposition from the Cross (56); and the Agony in the Garden (53). But
the gem of the whole room is Lippo Lippi's Coronation of the Madonna
(62), one of the masterpieces of the early Florentine school, which he
commenced for the nuns of Sant' Ambrogio in 1441. The throngs of boys
and girls, bearing lilies and playing at being Angels, are altogether
delightful, and the two little orphans, that are being petted by the
pretty Florentine lady on our right, are characteristic of Fra
Filippo's never failing sympathy with child life. On the left two
admirably characterised monks are patronised by St. Ambrose, and in
the right corner the jolly Carmelite himself, under the wing of the
Baptist, is welcomed by a little Angel with the scroll, _Is perfecit
opus_. It will be observed that "poor brother Lippo" has dressed
himself with greater care for his celestial visit, than he announced
his intention of doing in Robert Browning's poem:--
"Well, all these
Secured at their devotion, up shall come
Out of a corner when you least expect,
As one by a dark stair into a great light,
Music and talking, who but Lippo! I!--
Mazed, motionless and moon-struck--I'm the man!
Back I shrink--what is this I see and hear?
I, caught up with my monk's things by mistake,
My old serge gown and rope that goes all round,
I, in this presence, this pure company!
Where's a hole, where's a corner for escape?
Then steps a sweet angelic slip of a thing
Forward, puts out a soft palm--'Not so fast!'
Addresses the celestial presence, 'Nay--
'He made you and devised you, after all,
'Though he's none of you! Could Saint John there draw--
'His camel-hair make up a painting-brush?
'We come to brother Lippo for all that,
'_Iste perfecit opus!_'"
Public-domain text, read in full here on John Shaqi.
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