But all that Savonarola had done, or was to do, in the political field was but the means to an end--the reformation and purification of Florence. It was to be a united and consecrated State, with Christ alone for King, adorned with all triumphs of Christian art and sacred poetry, a fire of spiritual felicity to Italy and all the earth. In Lent and Advent especially, his voice sounded from the pulpit, denouncing vice, showing the beauty of righteousness, the efficacy of the sacraments, and interpreting the Prophets, with special reference to the needs of his times. And for a while Florence seemed verily a new city. For the wild licence of the Carnival, for the Pagan pageantry that the Medicean princes had loved, for the sensual songs that had once floated up from every street of the City of Flowers--there were now bonfires of the vanities in the public squares; holocausts of immoral books, indecent pictures, all that ministered to luxury and wantonness (and much, too, that was very precious!); there were processions in honour of Christ and His Mother, there were new mystical lauds and hymns of divine love. A kind of spiritual inebriation took possession of the people and their rulers alike. Tonsured friars and grave citizens, with heads garlanded, mingled with the children and danced like David before the Ark, shouting, "_Viva Cristo e la Vergine Maria nostra regina._" They had indeed, like the Apostle, become fools for Christ's sake. "It was a holy time," writes good Luca Landucci, "but it was short. The wicked have prevailed over the good. Praised be God that I saw that short holy time. Wherefore I pray God that He may give it back to us, that holy and pure living. It was indeed a blessed time." Above all, the children of Florence were the Friar's chosen emissaries and agents in the great work he had in hand; he organised them into bands, with standard-bearers and officers like the time-honoured city companies with their gonfaloniers, and sent them round the city to seize vanities, forcibly to stop gambling, to collect alms for the poor, and even to exercise a supervision over the ladies' dresses. _Ecco i fanciugli del Frate_, was an instant signal for gamblers to take to flight, and for the fair and frail ladies to be on their very best behaviour. They proceeded with olive branches, like the children of Jerusalem on the first Palm Sunday; they made the churches ring with their hymns to the Madonna, and even harangued the Signoria on the best method of reforming the morals of the citizens. "Out of the mouths of babes and sucklings Thou hast perfected praise," quotes Landucci: "I have written these things because they are true, and I have seen them and have felt their sweetness, and some of my own children were among these pure and blessed bands."[22]