Must not the outcast go the way of the outcasts,—the way of anger, the way of sorrow, the way of unhappiness? What does it matter if he falls, if he is ruined? Is there any one to stop him? Is there any one who would reach him a helping hand or offer him a cooling drink? Where are the little flower-pickers, where are the little princesses of the fairy-tale, where are they who should strew roses on the stony ways? No, no, the gentle young countess at Borg will not interfere with Gösta Berling’s plans. She must think of her reputation, she must think of her husband’s anger and her mother-in-law’s hate, she must not do anything to keep him back. All through the long service in the Svartsjö church, she must bend her head, fold her hands, and only pray for him. During sleepless nights she can weep and grieve over him, but she has no flowers to strew on the way of the outcast, not a drop of water to give one who is thirsting. She does not stretch out her hand to lead him back from the edge of the precipice. Gösta Berling does not care to clothe his chosen bride in silk and jewels. He lets her go from farm to farm with brooms, as her habit is, but when he has gathered together all the chief men and women of the place at a great feast at Ekeby, he will make his betrothal known. He will call her in from the kitchen, just as she has come from her long wanderings, with the dust and dirt of the road on her clothes, perhaps ragged, perhaps with dishevelled hair, with wild eyes, with an incoherent stream of words on her lips. And he will ask the guests if he has not chosen a suitable bride, if the mad priest ought not to be proud of such a lovely sweetheart, of that gentle Madonna face, of those blue, dreamy eyes. He intended that no one should know anything beforehand, but he did not succeed in keeping the secret, and one of those who heard it was the young Countess Dohna. But what can she do to stop him? It is the engagement day, the eleventh hour has come. The countess stands at the window in the blue cabinet and looks out towards the north. She almost thinks that she can see Ekeby, although her eyes are dim with tears. She can see how the great three-storied house shines with three rows of lighted windows; she thinks how the champagne flows in the glasses, how the toast resounds and how Gösta Berling proclaims his engagement to the broom-girl. If she were only near him and quite gently could lay her hand on his arm, or only give him a friendly look, would he not turn back from the evil way? If a word from her had driven him to such a desperate deed, would not also a word from her check him?