Then Patron Julius went out into the kitchen and said farewell to the servants of the house. Each and all, from the housekeeper to kitchen-girl, he embraced and kissed in overflowing emotion. The maids wept and lamented over his fate: that such a kind and merry gentleman should die, that they should never see him again. Patron Julius gave command that his chaise should be dragged out of the carriage-house and his horse taken out of the stable. His voice almost failed him when he gave that order. So the chaise might not mould in peace at Ekeby, so old Kajsa must be parted from the well-known manger. He did not wish to say anything hard about his mother; but she ought to have thought of the chaise and Kajsa, if she did not think of him. How would they bear the long journey? The most bitter of all was to take leave of the pensioners. Little, round Patron Julius, more built to roll than to walk, felt himself tragic to his very fingertips. He felt himself the great Athenian, who calmly emptied the poison cup in the circle of weeping students. He felt himself the old King Gösta, who prophesied to Sweden’s people that they some day should wish to tear him up from the dust. Finally he sang his best ballad for them. He thought of the swan, who dies in singing. It was so, he hoped, that they would remember him,—a kingly spirit, which does not lower itself to complaining, but goes its way, borne on melody. At last the last cup was emptied, the last song sung, the last embrace given. He had his coat on, and he held the whip in his hand. There was not a dry eye about him; his own were so filled by sorrow’s rising mist that he could not see anything. Then the pensioners seized him and lifted him up. Cheers thundered about him. They put him down somewhere, he did not see where. A whip cracked, the carriage seemed to move under him. He was carried away. When he recovered the use of his eyes he was out on the highway. The pensioners had really wept and been overcome by deep regret; still their grief had not stifled all the heart’s glad emotions. One of them—was it Gösta Berling, the poet, or Beerencreutz, the card-playing old warrior, or the life-weary Cousin Christopher?—had arranged it so that old Kajsa did not have to be taken from her stall, nor the mouldering chaise from the coach-house. Instead, a big spotted ox had been harnessed to a hay-wagon, and after the red chest, the green keg, and the carved luncheon-box had been put in there, Patron Julius himself, whose eyes were dim with tears, was lifted up, not on to the luncheon-box, nor on to the chest, but on to the spotted ox’s back.