So he spoke, with tears in his eyes, and with voice vibrating with
inspiration. The young girls heard him with wonder and not without
emotion. They had little guessed the depth of feeling which was hidden
under that surface, glittering with jests and laughter.
When it drew towards evening, and they once more climbed into the
hay-wagon, the girls hardly knew whither Patron Julius drove them, until
they stopped before the steps at Ekeby.
“Now we will go in here and have a dance, girls,” said Patron Julius.
What did the pensioners say when they saw Patron Julius come with a
withered wreath round his hat, and the hay-cart full of girls?
“We might have known that the girls had carried him off,” they said;
“otherwise we should have had him back here several hours earlier.” For
the pensioners remembered that this was exactly the seventeenth time
Patron Julius had tried to leave Ekeby, once for every departing year.
Now Patron Julius had already forgotten both this attempt and all the
others. His conscience slept once more its year-long sleep.
He was a doughty man, Patron Julius. He was light in the dance, gay at
the card-table. Pen, pencil, and fiddle-bow lay equally well in his hand.
He had an easily moved heart, fair words on his tongue, a throat full
of songs. But what would have been the good of all that if he had not
possessed a conscience, which made itself be felt only once a year, like
the dragon-flies, which free themselves from the gloomy depths and take
wings to live only a few hours in the light of day and in the glory of
the sun?
CHAPTER XI
THE PLASTER SAINTS
Svartsjö church is white both outside and in: the walls are white, the
pulpit, the seats, the galleries, the roof, the window-sashes, the
altar-cloth,—everything is white. In Svartsjö church are no decorations,
no pictures, no coats of arms. Over the altar stands only a wooden cross
with a white linen cloth. But it was not always so. Once the roof was
covered with paintings, and many colored images of stone and plaster
stood in that house of God.
Once, many years ago, an artist in Svartsjö had stood and watched the
summer sky and the path of the clouds across the sun. He had seen those
white, shining clouds, which in the morning float low on the horizon,
pile themselves up higher and higher and raise themselves to storm
the heavens. They set up sails like ships. They raised standards like
warriors. They encroached on the whole sky. They placed themselves before
the sun, those growing monsters, and took on wonderful shapes. There was
a devouring lion; it changed into a powdered lady. There was a giant
with outstretched arms; he laid himself down as a dreaming sphinx. Some
adorned their white nakedness with gold-bordered mantles; others spread
rouge over snowy cheeks. There were plains. There were forests. There
were walled castles with high towers. The white clouds were lords of the
summer sky. They filled the whole blue arch. They reached up to the sun
and hid it.
Public-domain text, read in full here on John Shaqi.
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