But then the young woman awakes. She throws herself back. She is like a
bent spring. And he has to struggle with her with his whole strength to
keep her from throwing herself from the sledge, until finally he forces
her, subdued and trembling, down in the corner of the sledge.
“See,” says Gösta quite calmly to Beerencreutz, “the countess is the
third whom Don Juan and I have carried off this winter. But the others
hung about my neck with kisses, and she will neither be kissed by me nor
dance with me. Can you understand these women, Beerencreutz?”
But when Gösta drove away from the house, when the women screamed and the
men swore, when the sleigh-bells rang and the whips cracked, and there
was nothing but cries and confusion, the men who guarded the major’s wife
were wondering.
“What is going on?” they thought. “Why are they screaming?”
Suddenly the door is thrown open, and a voice calls to them.
“She is gone. He is driving away with her.”
They rush out, running like mad, without waiting to see if it was the
major’s wife or who it was who was gone. Luck was with them, and they
came up with a hurrying sledge, and they drove both far and fast, before
they discovered whom they were pursuing.
But Berg and Cousin Christopher went quietly to the door, burst the lock,
and opened it for the major’s wife.
“You are free,” they said.
She came out. They stood straight as ramrods on either side of the door
and did not look at her.
“You have a horse and sledge outside.”
She went out, placed herself in the sledge, and drove away. No one
followed her. No one knew whither she went.
Down Broby hill Don Juan speeds towards the Löfven’s ice-covered surface.
The proud courser flies on. Strong, ice-cold breezes whistle by their
cheeks. The bells jingle. The stars and the moon are shining. The snow
lies blue-white and glitters from its own brightness.
Gösta feels poetical thoughts wake in him.
“Beerencreutz,” he says, “this is life. Just as Don Juan hurries away
with this young woman, so time hurries away with man. You are necessity,
who steers the journey. I am desire, who fetters the will, and she is
dragged helpless, always deeper and deeper down.”
“Don’t talk!” cries Beerencreutz. “They are coming after us.”
And with a whistling cut of the whip he urges Don Juan to still wilder
speed.
“Once it was wolves, now it is spoils,” cries Gösta. “Don Juan, my boy,
fancy that you are a young elk. Rush through the brushwood, wade through
the swamps, leap from the mountain top down into the clear lake, swim
across it with bravely lifted head, and vanish, vanish in the thick
pine-woods’ rescuing darkness! Spring, Don Juan! Spring like a young elk!”
Joy fills his wild heart at the mad race. The cries of the pursuers are
to him a song of victory. Joy fills his wild heart when he feels the
countess’s body shake with fright, when he hears her teeth chatter.
Public-domain text, read in full here on John Shaqi.
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