The Story of Genesis and Exodus: An Early English Song, about 1250 A.D.
Religion
The Story of Genesis and Exodus: An Early English Song, about 1250 A.D.
Bible. Exodus -- History of Biblical events -- Poetry; Bible. Genesis -- History of Biblical events -- Poetry; Christian poetry, English (Middle)
God commands
him to choose
seventy wise
men to help him
in the government
of the
people.
Q_u_að god, "ches ðe nu her ſeuenti
Wiſe men to ſtonden ðe bi,
[Fol. 71b.]
And ic ſal hem geuen witt_er_-hed,
And he ðe ſulen don helpe at ned; 3668
And ðin folc ſal to-morgen bi-geten
ynog fles(.) into a moneð[345] for to eten."
Moyſes was bliðe an glad[346] of ðis,
The appointment
of seventy elders.
And ches ðo men [ðe] god made wiſ; 3672
waſ here non of herte dim,
p_ro_phetis he weren and holpen him.
Fro lond ortigie cam a wind,
Quails are sent in
wrath at Kibroth-Hattaavah.
And brogte turles michel mind; 3676
It flogen longe, and ðikke, and wel
Abuten ðe folc of yſrael;
For two days the
fowls came.
Two daiges hem ben fugeles cumen,
[343] MS. oder.
[344] MS. ðon.
[345] MS. moned.
[346] MS. glað.
MIRIAM IS SMITTEN WITH LEPROSY.
So fele he wilen, he [h]auen numen, 3680
And dried and holden to eten;
Oc god ne wile[347] it nogt for-geten;
The Lord smote
the people with a
plague because of
their murmuring.
ðat gruching hauen he der_re_ bogt,
fier haueð[348] on hem ðe wreche wrogt, 3684
Brend and doluen waſ ðat folc ſoth;
ðat ſtede beð cald ðor-fore cabroth.
The people come
to Hazaroth.
FOrð he nomen to aſſaroth,
Miriam speaks
against Moses,
ðor wurð maria ſumdel ſoth,[349] 3688
for ſche ðor haueð wið moyſes fliten;
and is smitten
with leprosy.
ðor wurð ghe ðanne wið lepre ſmiten,
And vten ſundred .vii. nigt,
In grot and i_n_ ſrifte, ſore offrigt;[350] 3692
[Fol. 72.]
Moyſes bi-ſogte, and ſche wurð fer
And frend, and cam ðat[351] broðer ner.
The people remove
from
Hazaroth and
come to Paran.
FOrð nam ðiſ folc ſiðen fro ðan
fele iurnes in-to pharan; 3696
Forð waſ gon al ðeſe oðer ger,
ðo he woren at ſyon-gaber;
Public-domain text, read in full here on John Shaqi.
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