The Story of Genesis and Exodus: An Early English Song, about 1250 A.D.
Religion
The Story of Genesis and Exodus: An Early English Song, about 1250 A.D.
Bible. Exodus -- History of Biblical events -- Poetry; Bible. Genesis -- History of Biblical events -- Poetry; Christian poetry, English (Middle)
[Fol. 77.]
An angel meets
him in the way.
The ass is frightened,
An angel drog an ſwerd him bi-foren,
ðiſ aſſe wurð ſo ſore of-dred,
Vt of ðe weige it haueð him led. 3956
Sellic ðogte balaam for-ði,
And bet and wente it to ðe ſti
Bi-twen two walles of ſton;
and turns aside
to the wall,
Eft ſtod ðiſ angel him a-gon,[372] 3960
ðiſ aſſe iſ eft of weige ſtired,[373]
So ðat balames fot iſ hird;[374]
so that Balaam's
foot is crushed.
And he wurð ðo for anger wroð,
And ðiſ prikeð and negt ſloð; 3964
[369] MS. ginges.
[370] MS. queden.
[371] MS. haued.
[372] ? agen.
[373] ? stirt.
[374] ? hirt.
BALAAM'S ASS SPEAKS.
The angel went
further, and
stood in a narrow
place,
forð and narwere ðiſ aſſe hi_m_ bar,
And ðe ðridde ſiðe wurð ðe angel war.
ðo ne migte ðes aſſe flen,
and the ass fell
down under
Balaam,
Ne he ne durſte forðere ten, 3968
Oc fel ðor dun(.) ðan ðis was don,
who smote her
with his staff.
Balaam it ſpureð and ſmit ðor-on;
And god vndede ðiſ aſſes muð,
God opened the
mouth of the ass,
and she spoke to
her master.
So ſoð it iſ(.) ſo it is ſelcuð. 3972
Q_u_uað ðiſ aſſe ðus wið vn-miðe,
"Qui betes ðu me ðis ðridde ſiðe?"
Q_u_að balaam, "for ðu tregeſt me;
Had ic an ſwerd, ic ſluge ðe." 3976
Nevertheless this
infatuated man
was not frightened.
So was ðis were to wunder brogt,
ðhog ðe aſſe ſpac, frigtede he nogt;
[Fol. 77b.]
ðe let god[375] him ðat angel ſen,
The angel tells
Balaam,
wið ðe ſwerd dragen him agen. 3980
Q_u_að ðe angel, "ðin weige iſ me loð,
that but for the
ass he would have
slain him.
ðor-fore am ic wið ðe ðuſ loð;[376]
If ðin aſſe ne were wið-dragen,
Her ſuldes ðu nu wurðen ſlagen." 3984
The prophet
offers to return.
Q_u_að balaam, "q_u_ane ic haue miſ-faren,
If ðu wilt, ic agen ſal charen."
Public-domain text, read in full here on John Shaqi.
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