The desperate contentions of the two parties gave frequent rise to
lawlessness and stormy scenes. The nobility laid waste each other’s
estates and often even took unlawful possession of them. In this way
many a castle which John Corvinus had inherited from his father passed
at that time into the hands of Szapolyai. Duke Ujlaky ventured even to
molest the royal domains, and upon being called to account for this
by the king, Ujlaky disdainfully styled him an ox. The offended king,
in order to avenge this affront, sent an army against him under the
lead of Bertalan Drágfy, the vayvode of Transylvania, with the message
that the king’s second horn was now growing, and that henceforth the
king would fight his unruly subjects with two horns. Szapolyai, the
palatine of the kingdom, offered to intercede; the intercession,
however, being nothing but a cloak to incite the people to rebellion
against Uladislaus, the latter was compelled to yield, and to pardon
Ujlaky. A most disgraceful brawl, such as is usually witnessed only
amongst the drunken rabble, took place in the very presence of the king
in the royal council-chamber. George Szalkán, the primate of Hungary,
allowed himself to be carried away, during a heated discussion with
Christopher Frangepán, to such an extent as to seize the latter by the
beard, whereupon he was struck in the face by Frangepán. The king,
by personally interfering, put an end to these most unparliamentary
proceedings.
A dangerous movement was at this time gaining strength throughout
Europe. The peasantry, weary of the servitude in which they were
held, resorted to arms against their former oppressors. In Hungary,
especially, this movement assumed ominous proportions. The rebellion
broke out in 1514, and was commonly called either the Kurucz rebellion,
from the fact that those who took part in it were originally intended
to be soldiers of the cross (cruciferi), or, after the name of their
leader, the Dózsa rebellion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account