The story of Keedon BluffsCraddock, Charles Egbert
General
The story of Keedon Bluffs
Craddock, Charles Egbert
Great Smoky Mountains (N.C. and Tenn.) -- Fiction; Mountain life -- Fiction; Tennessee -- Fiction
“I tell ye,” said Jerry, looking down into the candid upturned face
beneath the torn brim of the old white wool hat, “ye fetch Obadiah’s
fiddle ter-morrer, an hour ’fore sundown, ter the sulphur spring, an’
I’ll l’arn ye them new chunes. An’ I’ll tell ye all ’bout Ike, an’ what
he said an’ why I wanter keep sech ez him off’n them Bluffs.”
“Waal,” assented Skimpy, “I kin make out ter git the fiddle, I reckon.”
But it was with little joyous anticipation that he turned away. Ike’s
words, as reported by Binwell, rankled in his heart; it was hot and heavy
within him. He even shed a forlorn tear or two—to thus make acquaintance
with the specious delusions of friendship. It was not so much the sting
of wounded vanity, although he was sensible too of this—but that Ike
should affect to esteem him so dearly and ridicule him behind his back!
He was generous enough, however, to seek to make excuses to himself
for his friend. “I reckon,” he muttered, “it mus’ hev been arter dad
wouldn’t lemme go with Ike no mo’ an’ it riled him, an’ so he tuk ter
tongue-lashin’ me. I reckon he never thunk ez I couldn’t holp it.”
And thus he disappeared down the woodland ways, leaving Jerry Binwell
standing in the road and looking meditatively after him.
“I reckon it’s better ennyhow,” Binwell soliloquized. “Ike’s a hundred
times smarter’n him, but he air smart enuff. Bes’ not be too smart. An’
though he be ez tall ez Ike he’s a deal stringier; he’s powerful slim.
Ike ain’t much less’n me—an’ I be a deal too bulky—git stuck certain.
Skimpy’s the boy.”
He remained silent for a time, vacantly gazing down the woods. Then
suddenly he turned and betook himself homeward.
IX.
Circumstances the next day seemed adverse to Skimpy’s scheme. Obadiah
for some time past had not been musically disposed, and the violin had
hung silent on the cabin wall in company with strings of red peppers, and
bags of herbs, and sundry cooking utensils. That afternoon the spirit of
melody within him was newly awakened.
Skimpy, who had been lurking about the place, watching his opportunity,
was dismayed to see Obadiah come briskly out of the cabin door with the
instrument in his hand, and establish himself in a rickety chair on the
porch. He tilted this back on its hind-legs until he could lean against
the wall, stuck the violin under his chin, and with his long lean arm
in a fascinating crook, he began to bow away rapturously. They were
very merry tunes that Obadiah played—at least the tempo was lively and
required a good many quick jerks and nods of the head, and much flirting
and shaking of his long red mane to keep up with it. Occasionally his
bow would glance off the strings with a very dashing effect, when he
would hold it at arm’s-length, and grin with satisfaction, and wink
triumphantly at Skimpy, who had come and seated himself on the steps
of the porch hard by. He looked up from under the wide brim of his hat
somewhat wistfully at Obadiah.
Public-domain text, read in full here on John Shaqi.
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