The story of Keedon BluffsCraddock, Charles Egbert
General
The story of Keedon Bluffs
Craddock, Charles Egbert
Great Smoky Mountains (N.C. and Tenn.) -- Fiction; Mountain life -- Fiction; Tennessee -- Fiction
The forest was remarkably free from undergrowth just here; the fiery
besoms of the annual conflagrations destroyed the young and tender
shoots, and left to the wilderness something of the aspect of a vast
park. Only on one side, and that was where the ground sloped suddenly
to the depths of a rugged ravine, an almost impenetrable jungle of
laurel reached from the earth into the branches of the trees. Its
ever-green leaves had a summer suggestion as the sun glanced upon them;
none had changed, none had fallen. And yet, as he looked, he noted a
thinning aspect, a sort of gap at a certain point in the massive wall
of interlacing boughs, made, he fancied, when some lumbering bear tore
a breach in search of winter quarters in those bosky securities. He was
an idle man, and trifles were wont to while away his time. His momentary
curiosity served to mitigate the tedium of waiting for Skimpy. He slowly
strolled toward the gap amidst the foliage, wondering whether the animal
had only lately passed, whether it was possible to come upon it in its
lair and surprise it. He was near enough to lay his hand on the laurel
leaves when he noticed there was a distinctly marked path threading its
way through the tangle. He could not see the ground, but a furrow amongst
the boughs indicated continual passing and repassing. For a few yards
this was visible as he stood looking through the gap of bent and broken
branches; then the rift among the leaves seemed to curve and he saw no
further. Still meditating on the bear, he experienced some surprise when
he observed in the marshy earth in the open space near where he stood the
print of a man’s boot; not his own, as he was half-inclined to think at
first. For as he held his foot above the track, he saw that the print in
the moist earth was much broader, and that the man walked with a short
pace, far different from his own long stride. The steps had not only gone
into the laurel but had come thence; often, too, judging from the number
and direction of the footprints.
“I wonder whar this path leads,” he said. “Somebody must be moonshinin’
hyar-abouts.”
He stood gazing down meditatively. The broad footprint was always the
same, the step always the short measure indicating a slow and heavy man.
Public-domain text, read in full here on John Shaqi.
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