“I've been tempted that way, Betsy, but the end I wanted has been set
in my mind so long I can't get it out. I've seen the Lord's hand so
manifest in these past days, that I'm fearsome to hurry His judgments.
And then, though I try not to, I'm waiting from day to day,--almost from
hour to hour,--and it seems that if I was to give up and break my
vow, He would break it for me the next minute afterwards, to punish my
impatience!”
“Why,” Miss Lavender exclaimed, “it must be your husband's death you're
waitin' for!”
Mary Potter started up with a wild look of alarm. “No--no--not his
death!” she cried. “I should want him to--be living! Ask me no more
questions; forget what I've said, if it don't incline you to encourage
me! That's why I've told you so much!”
Miss Lavender instantly desisted from further appeal. She rose, put her
arm around Mary Potter's waist, and said,--“I didn't mean to frighten or
to worry you, deary. I may think your conscience has worked on itself,
like, till it's ground a bit too sharp; but I see just how you're
fixed, and won't say another word, without it's to give comfort. An open
confession's good for the soul, they say, and half a loaf's better than
no bread, and you haven't violated your word a bit, and so let it do you
good!”
In fact, when Mary Potter grew calm, she was conscious of a relief the
more welcome because it was so rare in her experience. Miss Lavender,
moreover, hastened to place Gilbert's position in a more cheerful light,
and the same story, repeated for a different purpose, now assumed quite
another aspect. She succeeded so well, that she left behind her only
gratitude for the visit.
Late in the afternoon she came forth from the farmhouse, and commenced
slowly ascending the hill. She stopped frequently and looked about her;
her narrow forehead was wrinkled, and the base of her long nose was set
between two deep furrows. Her lips were twisted in a pucker of great
perplexity, and her eyes were nearly closed in a desperate endeavor to
solve some haunting, puzzling question.
“It's queer,” she muttered to herself, when she had nearly reached
the top of the hill,--“it's mortal queer! Like a whip-poor-will on
a moonlight night: you hear it whistlin' on the next fence-rail, it
doesn't seem a yard off; you step up to ketch it, and there's nothin'
there; then you step back ag'in, and 'whip-poor-will! whip-poor-will!'
whistles louder 'n ever,--and so on, the whole night, and some folks
says they can throw their voices outside o' their bodies, but that's
neither here nor there.
“Now why can't I ketch hold o' this thing? It isn't a yard off me, I'll
be snaked! And I dunno what ever she said that makes me think so, but
I feel it in my bones, and no use o' callin' up words; it's one o' them
things that comes without callin', when they come at all, and I'm so
near guessin' I'll have no peace day or night.”
Public-domain text, read in full here on John Shaqi.
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