They mounted, and side by side rode up the glen. Mary Potter was silent;
now and then her lips moved, not, as once, in some desperate appeal of
the heart for pity and help, but as with a thanksgiving so profound that
it must needs be constantly renewed, to be credited.
After passing Carson's, they took the shorter way across the fields, and
approached the Barton farm-house from below. A large concourse of people
was already assembled; and the rude black hearse, awaiting its burden
in the lane, spread the awe and the gloom of death over the scene. The
visitors were grouped around the doors, silent or speaking cautiously
in subdued tones; and all new-comers passed into the house to take their
last look at the face, of the dead.
The best room, in which the corpse lay, was scarcely used once in a
year, and many of the neighbors had never before had occasion to enter
it. The shabby, antiquated furniture looked cold and dreary from disuse,
and the smell of camphor in the air hardly kept down the musty, mouldy
odors which exhaled from the walls. The head and foot of the coffin
rested on two chairs placed in the centre of the room; and several
women, one of whom was Miss Betsy Lavender, conducted the visitors back
and forth, as they came. The members of the bereaved family were stiffly
ranged around the walls, the chief mourners consisting of the old man's
eldest son, Elisha, with his wife and three married sons, Alfred, and
Ann.
Mary Potter took her son's arm, and they passed through the throng at
the door, and entered the house. Gilbert silently returned the nods of
greeting; his mother neither met nor avoided the eyes of others. Her
step was firm, her head erect, her bearing full of pride and decision.
Miss Lavender, who met her with a questioning glance at the door,
walked beside her to the room of death, and then--what was remarkable in
her--became very pale.
They stood by the coffin. It was not a peaceful, solemn sight, that
yellow face, with its wrinkles and creases and dark blotches of
congealed blood, made more pronounced and ugly by the white shroud and
cravat, yet a tear rolled down Mary Potter's cheek as she gazed upon
it. Other visitors came, and Gilbert gently drew her away, to leave the
room; but with a quick pressure upon his arm, as if to remind him of his
promise, she quietly took her seat near the mourners, and by a slight
motion indicated that he should seat himself at her side.
It was an unexpected and painful position; but her face, firm and calm,
shamed his own embarrassment. He saw, nevertheless, that the grief of
the mourners was not so profound as to suppress the surprise, if
not indignation, which the act called forth. The women had their
handkerchiefs to their eyes, and were weeping in a slow, silent,
mechanical way; the men had handkerchiefs in their hands, but their
faces were hard, apathetic, and constrained.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account