Now the horses were brought up in pairs, and the younger guests began
to mount. The people gathered closer and closer; and when Sam appeared,
leading the well-known and beloved Roger, there was a murmur which, in
a more demonstrative community, would have been a cheer. Somebody had
arranged a wreath of lilac and snowy viburnum, and fastened it around
Roger's forehead; and he seemed to wear it consciously and proudly.
Many a hand was stretched forth to pat and stroke the noble animal,
and everybody smiled when he laid his head caressingly over the neck of
Martha's gray.
Finally, only six horses remained unmounted; then there seemed to be a
little delay in-doors. It was explained when young Pratt appeared, bold
and bright, leading the reluctant Miss Lavender, rustling in purple
splendor, and blushing--actually blushing--as she encountered the eyes
of the crowd. The latter were delighted. There was no irony in the voice
that cried,--“Hurrah for Betsy Lavender!” and the cheer that followed
was the expression of a downright, hearty good will. She looked around
from her saddle, blushing, smiling, and on the point of bursting into
tears; and it was a godsend, as she afterwards remarked, that Mark Deane
and Sally Fairthorn appeared at that moment.
Mark, in sky-blue coat and breeches, suggested, with his rosy face
and yellow locks, a son of the morning; while Sally's white muslin and
cherry-colored scarf heightened the rich beauty of her dark hair and
eyes, and her full, pouting lips. They were a buxom pair, and both
were too happy in each other and in the occasion, to conceal the least
expression of it.
There now only remained our hero and heroine, who immediately followed.
No cheer greeted them, for the wonderful chain of circumstances which
had finally brought them together, made the joy of the day solemn, and
the sympathy of the people reverential. Mark and Sally represented the
delight of betrothal; these two the earnest sanctity of wedlock.
Gilbert was plainly yet richly dressed in a bottle-green coat, with
white waistcoat and breeches; his ruffles, gloves, hat, and boots were
irreproachable. So manly looking a bridegroom had not been seen in
Kennett for many a day. Martha's dress of heavy pearl-gray satin was
looped up over a petticoat of white dimity, and she wore a short cloak
of white crape. Her hat, of the latest style, was adorned with a bunch
of roses and a white, drooping feather. In the saddle, she was charming;
and as the bridal pair slowly rode forward, followed by their attendants
in the proper order, a murmur of admiration, in which there was no envy
and no ill-natured qualification, went after them.
Public-domain text, read in full here on John Shaqi.
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