So, in the early part of that year, she was in an A.B.C. cash-desk,
traveller for a History, and saleswoman at an Earls Court
chocolate-stall. Then, in June, she obtained, actually in the face of
considerable competition, a place in the showrooms of a Bond Street
photographer. Perhaps her dresses, of which several still remained,
helped her to this place. She wrote letters, arranged appointments,
answered press and other calls on the telephone, and received sitters.
No doubt some of these knew Uncle Augustus. Robson, of the Board of
Trade (who came one day), would probably know him; so would George
Hastie, Robson's friend and colleague, and perhaps Sir Peregrine
Campbell and others. Some of them, the more sporting sort, might even
know Buck too, for Buck was still a tradition; in short, Louie's own
position amused her immensely. By taking her letters home with her and
leaving a younger assistant in charge, she was frequently able to
leave the showrooms by half-past four and to spend the evenings with
Céleste and her boy. Incidentally, Louie improved her French a good
deal, for Céleste crooned over the boy in French and English
indifferently.... "The darleeng--the lo-ove--the précieux--oh, oh, oh,
mais il existe--il manifeste, le petiot----"; and she would break off
to sing, in a cracked voice, "Le Pont d'Avignon," or some lullaby of
Frédéric Mistral. She idolised the infant; when he was put to bed she
did not delay long to follow him, for Louie, who had her work to do
during the day, must not be roused at night; and so Louie frequently
sat alone, writing her letters or wrapped in her own musings. She
received thirty-five shillings a week. Her job had the appearance of a
"permanency." In July she got a "rise" of three shillings a week. She
also got ten days' holiday, the greater part of which she spent in the
company of her father. She was beginning to know what holidays meant
now.
On one of those days she had an unexpected little meeting in Richmond
Park. Céleste and the boy had gone on by train, and she was walking.
The meeting was with a girl called Myrtle Morris, who, when Louie had
kept the confectionery stall at Earls Court, had sold cigarettes at
the stall adjoining. Miss Morris was accompanied by a tall young man;
she stopped to greet Louie, and the young man walked slowly on. Myrtle
asked Louie what she was doing now. Louie told her. "And you?" she
said.
"Oh, I've gone back to my old trade," the girl said, nodding towards
her retreating companion. "Artists' model. That's my present
employer--Izzard."
"Who?" said Louie. The name seemed familiar.
"Billy Izzard. Know him?"
"No," said Louie. But she remembered now where she had heard the name.
"Jolly clever painter," said the model authoritatively. "Nice fellow
too. Shall I call him?"
"Thanks, but I must be getting on," said Louie. "Good-bye."
"So long. Come and look me up some time, won't you? 25 Edith Grove."
"Thank you. Good-bye."
Public-domain text, read in full here on John Shaqi.
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