She did fairly well at it. So well did she do that from the three
rooms in Lavender Hill (the third one Céleste's) piece by piece her
landlady's furniture began to disappear. Her own took its place. She
intended, when she had enough of her own, to save the difference in
rent between furnished and unfurnished quarters by taking a small
flat. So her two chests of drawers and her wardrobe were her own; so
were much of her cutlery and bed and table linen; and so, of course,
were Jimmy's various paraphernalia. But she was not ready to leave
yet. The summer of 1900, she thought, would be early enough.
And in one particular at least she was now able to hold up her head.
She still owed money both to Buck and Chaff, but she knew as much
about the struggle for a livelihood as Richenda Earle herself. And
she had not grizzled. Life had not knocked her out. She was her
father's daughter after all.
And yet, once more, she felt herself her mother's daughter too. The
reason, which was not very far to seek, was this:
The earlier stages of that furtive romance that in the end had left
her former husband no Rest but the Grave were known only to Mrs.
Chaffinger herself. Henson had not guessed them; Lord Moone had seen
only the resultant scandal of them. But Louie understood a little now.
She could at least guess what had happened to her mother between her
first setting eyes on the splendid Buck and that final petulant,
pathetic cry: "Oh, that I should have to beg a man to marry me!" By
sympathy she was able now to divine the sighs, the half-acknowledged
longings, the half-shamed daydreams, the revulsions, the sinkings back
again. For Louie now knew something of these things within herself.
Not that there was not harder stuff in Louie. There was. There was,
for example, that sense of proportion which is humour. How could her
thoughts of Mr. Jeffries not be rather preposterous? She found it
difficult sometimes to remember even his personal appearance; she had
well-nigh forgotten his voice; many idle repetitions had dulled the
memory of that odd little thrill she had felt when her hand had lain
in his. True, she remembered these things in a way. She remembered the
tawny bulk of him, the lion's eyes, the gloss of his hair, the
modeless fashion of his speech; but these were mere noted facts, no
more hers than everybody else's. Yet what (she asked herself) had
become of her sense of humour that she should want something of him
that nobody else had? What had happened to her sense of proportion
that she did not forget him as she had forgotten scores of people of
whom she had seen far, far more? And how had it come about that, for
one thought she cast on Roy, Mr. Jeffries had twenty? And why this new
and curious understanding of her mother?
Public-domain text, read in full here on John Shaqi.
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