She had schooled herself to a rigorous composure. She opened the door
for him and told him to mind the hall lamp, within an inch of which
his hat reached; and the hand she gave him was not gloved this time.
But she barely touched his hand; had she not two whole hours before
her? He put aside a cheap hanging of rustling beads for her to pass,
and then followed her into the large room on the left of the hall,
empty save for a piano and a few chairs, that was used for parties and
tableaux. Myrtle and another girl appeared for a moment in the
doorway; the minxes appeared to be waltzing, but they had come to see
who "Causton's boy" was; and as they sat down she asked him, as if
daring him to find any but the plainer meaning in it, how Billy Izzard
was. She exulted that she could say these things and he could not.
Then she was told that their chops were ready. They passed into the
next room.
The table--it was a flimsy card-table covered with a cheap traycloth
stiff with starch--accounted for all awkwardnesses and proximities;
again she found it secretly delicious to murmur a demure apology for
its smallness. She lingered over the eating of her chop merely because
her plate was edge to edge with his; she would manage badly if she
could not keep him at least two hours! Then, when she could linger out
her eating no longer, she asked him for a cigarette and a light--for
in the studios she had learned to smoke. He gave them to her. Her lids
hovered as he held the match; she wondered whether she should look
straight into his eyes or keep her lids downcast. In the end she did
both, looking at him first, then down. Whether he looked at her at all
she did not know; the first at any rate was a miss. She did not ask
for a second match (she had, she told herself, some shame); instead,
she put her elbows on the table and said, without further delay:
"Well, what is it?"
Public-domain text, read in full here on John Shaqi.
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