The Story of MaltaBallou, Maturin M. (Maturin Murray)
History
The Story of Malta
Ballou, Maturin M. (Maturin Murray)
Malta -- History
There are many rich people in Malta, while the churches--supposed
emblems of charity, peace, and good-will towards men--are uselessly
decorated with gold and silver candlesticks, precious stones, costly
marbles, valuable tapestry, and priceless works of art, articles as
foreign to any true principle of devotion as snow is to the vegetation
of the tropics. No one can travel in Spain, Italy, Mexico, or South
America--all Roman Catholic countries--without being brought face to
face with a similar state of affairs: costly cathedrals and churches
crowded with gorgeous display, upon which gold has been recklessly
lavished in all possible ways, often surrounded by a ragged and starving
populace steeped in ignorance. Is there any amount of sophistry which
can reconcile such incongruities?
On coming out of the magnificently adorned Cathedral of Guadalupe,
situated a league from the City of Mexico, not long since, the author
was literally dazed by the strong contrast which presented itself.
Passing by a dozen steps from within this rich and gorgeous temple, upon
which millions of dollars had been lavished, into an atmosphere of the
most abject poverty and dismal want was like changing from brightest
sunshine into the valley and shadow of death. A half-naked, starving
army of beggars--men, women, and children--stared one in the face, their
cadaverous features and attenuated forms, all too clearly defined,
appealing for them with more eloquence than words could do. What sort of
religion is that which can hoard jewels of fabulous value, together with
plate of gold and silver, in its churches, while the poor, crippled,
naked multitude starve outside of its towering and gilded walls?
The sense of outraged humanity was too strong for words. Even the sleek,
well-fed priest, who had acted the part of guide through the church,
looked abashed as we pointed to this tableau of misery, and then
reproachfully at the gorgeously appointed temple whose portal we had
just left behind.
Public-domain text, read in full here on John Shaqi.
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