The Story of MaltaBallou, Maturin M. (Maturin Murray)
History
The Story of Malta
Ballou, Maturin M. (Maturin Murray)
Malta -- History
The Strada Reale of Valletta is thoroughly kaleidoscopic in its gay and
fascinating presentment of humanity, forming a strange medley of colors,
while its variety of nationalities recalls Suez and Port Said, where
representatives of the East and West are so confusingly mingled. Here
one sees English ladies and gentlemen clad in fashionable London attire;
soldiers in smart red uniforms; barefooted natives, whose lower garments
are held in place by a gaudy sash tied about the waist; brown-skinned
peddlers, with fancy wares, jostled by a dignified Hindoo, a turbaned
Turk, or a swarthy Spaniard of questionable purpose. There passes also
an occasional Greek in picturesque national costume; a white burnoused
Arab; a native woman in sombre dress, with her face nearly hidden by a
dark hood (a faldetta), which takes the place of a Castilian mantilla.
Here, also, are noisy, half-tipsy blue-jackets, with broad collars, and
straw hats, enjoying shore-leave after their ideas of pleasure. There
are many plethoric, unctuous priests and cowled monks, all mingling
indiscriminately; while persistent, whining, half-clad beggars are
present everywhere. Verily, it is a motley group one encounters upon
this principal street of the Maltese capital.
Having once promenaded the Strada Reale from the fortress of St. Elmo to
the Floriana Gate, lined from the beginning to the end with quaint
yellow buildings, green projecting balconies, prominent statues of
saints, and filled with a variety of colors generally which a painter's
palette could hardly excel, an American is not likely soon to forget the
brilliant picture of foreign life which it presents. In our own country,
nothing like it is seen off the theatrical stage.
As regards the faldetta, or dark hood, which screens the faces of the
Maltese women, though a popular legend ascribes its origin to the time
of the French invasion, our own idea is quite different. Its adoption is
most probably connected with the Oriental veil or yashmak of the Eastern
women. It came into use, doubtless, upon these islands during the
dominion of the Arabs, and has been handed down from mother to daughter
ever since. It is purely for street wear. Within the house, at the
theatre, or other public entertainments, variety in dress is not
wanting, nor the dazzling brilliancy of diamonds and other precious
stones, to set off in attractive style the rich brown complexion, dreamy
eyes, and fine features of the Maltese ladies. The effect of this
peculiar hood as worn in public is both nun-like and coquettish,--a
seeming anomaly; but it is quite correct. The average woman of this
mid-sea group speaks a universal language with her dark, expressive
eyes, though only Maltese with her lips.
Public-domain text, read in full here on John Shaqi.
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