We can remember but two other churches of its class which equal this of St. John in tawdry, yet costly and useless decorations, namely, those of Burgos and Toledo, in Spain. It was the former church that was considered so exquisite, and delicately artistic in every appointment, that Charles V. said it ought to be placed under glass. The Toledo cathedral rivals any Romish church we have visited, in its riches of gold, silver, precious stones, and art treasures. It contains also more stained glass windows than any other ever built, with the possible exception of St. Peter's. Statues and pictures abound in the church of St. John; gold and silver accessories, added to the original expense of the carved lapis lazuli, render the high altar, as a whole, of great aggregate cost. The railing in front is composed of solid silver. The keys of Jerusalem, Acre, and Rhodes, esteemed of priceless value as memorials, are deposited beneath the high altar,--relics of the early possessions and the old chivalrous days of these warriors of the cross. Just behind the altar hangs a famous painting of the Beheading of St. John, by Caravaggio, painted in 1609. There is also an elaborate group, in marble, representing the Baptism of Christ. It is the work of Maltese artists of the seventeenth century, forming a remarkable monument of native talent. Before the altar of this Valletta church, on the right and left, richly upholstered chairs are placed, raised above the level of the floor, and draped with canopies of rich crimson velvet. These chairs are designed for the bishop and the representative of the sovereign power in Malta. They are occupied only on state occasions. Over the last mentioned is placed the British coat of arms. In the spacious sacristy are a score or more of fine old paintings variously ascribed to great masters. One or two of these are very old, and were brought by the Knights from Rhodes when they evacuated the island. The most celebrated relic of this Maltese cathedral was the reputed right hand of St. John the Baptist, brought originally from Antioch to Constantinople by the Emperor Justinian, who, in the intensity of his veneration, built a church expressly for its preservation. After the capture of Constantinople by the Turks, the Sultan Bajazet gave it to the Grand Master D'Aubusson at Rhodes, whence it was brought to Malta by L'Isle Adam. The hand was incased in a glove of wrought gold covered with precious stones, among which was a large diamond of unusual value. This gem, Bonaparte, as usual, stole and placed upon his own hand. "You may keep the carrion," said the French general flippantly, as he handed the relic to the Grand Master, minus the ring. It was a curious act of destiny that the Corsican scourge should have carved his name upon this rocky island of Malta,--this granite page of history.