Indeed, the new order of steam and iron and coal and large factories had little use for art, for painting and sculpture and poetry and music. The old protectors of the arts, the Church and the princes and the merchants of the Middle Ages and the seventeenth and eighteenth centuries no longer existed. The leaders of the new industrial world were too busy and had too little education to bother about etchings and sonatas and bits of carved ivory, not to speak of the men who created those things, and who were of no practical use to the community in which they lived. And the workmen in the factories listened to the drone of their engines until they too had lost all taste for the melody of the flute or fiddle of their peasant ancestry. The arts became the step-children of the new industrial era. Art and Life became entirely separated. Whatever paintings had been left, were dying a slow death in the museums. And music became a monopoly of a few “virtuosi” who took the music away from the home and carried it to the concert-hall. But steadily, although slowly, the arts are coming back into their own. People begin to understand that Rembrandt and Beethoven and Rodin are the true prophets and leaders of their race and that a world without art and happiness resembles a nursery without laughter. COLONIAL EXPANSION AND WAR A CHAPTER WHICH OUGHT TO GIVE YOU A GREAT DEAL OF POLITICAL INFORMATION ABOUT THE LAST FIFTY YEARS, BUT WHICH REALLY CONTAINS SEVERAL EXPLANATIONS AND A FEW APOLOGIES If I had known how difficult it was to write a History of the World, I should never have undertaken the task. Of course, any one possessed of enough industry to lose himself for half a dozen years in the musty stacks of a library, can compile a ponderous tome which gives an account of the events in every land during every century. But that was not the purpose of the present book. The publishers wanted to print a history that should have rhythm—a story which galloped rather than walked. And now that I have almost finished I discover that certain chapters gallop, that others wade slowly through the dreary sands of long forgotten ages—that a few parts do not make any progress at all, while still others indulge in a veritable jazz of action and romance. I did not like this and I suggested that we destroy the whole manuscript and begin once more from the beginning. This, however, the publishers would not allow.