Milan (Italy) -- Description and travel; Milan (Italy) -- History
To such a personality as this prince’s, so conspicuous and so frenzied,
legend readily clings, even in his own lifetime, and the imaginations
which peered into the secrets of his dungeons carried, perhaps, some of
their morbid visions with them. We must, however, believe the
contemporary writers, who record hideous deeds committed by the Duke
even in the light of day, grim pranks of punishment and devices of
cruelty inflicted upon offenders, under his own eyes. There was a
strange touch of imagination in his adjustment of torments to offences,
and often a kind of wild justice and sympathy for the oppressed,
horribly manifested, as when he punished a priest, who had refused the
funeral rites to a poor man, by burying him alive in the same grave as
the corpse. Galeazzo Sforza was in fact an embodied paradox—a monster of
vices and virtues, as he has been called, or better still, in his
daughter Caterina’s word, a ‘Fantastick.’ This mad, bad prince had the
theoretic admiration of his age for virtue, and was possessed with a
very rage for cultivating it in his subjects. Abuses, such as bribery of
magistrates, corruption in the public administration, oppressive
restrictions on trade and commerce, were vigorously put down. He allowed
none but himself to take money from petitioners, or to seize other
people’s property. His passion for justice and good government had
planted so many gallows in his realm, that when his young bride came to
Milan she trembled at the spectacle and fell on her knees, imploring
pardon for prisoners and offenders, a boon immediately granted to her
compassionate beauty. Though greedy of treasure and guilty of robbing
his rich subjects, Galeazzo was punctual and exact in paying his
servants—a rare virtue in an Italian prince. So trustworthy was his word
as a sovereign that men regarded it as if it had been money. He had
great personal attractions, was merry, affable and familiar with those
around him, and willingly gave audience to his subjects. The courage
which the populace expect of a prince was conspicuous in him—_a man who
never knew fear_, as his fearless daughter Caterina proudly describes
him.
Public-domain text, read in full here on John Shaqi.
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