Moscow (Russia) -- Description and travel; Moscow (Russia) -- History
Doubtless much of the fine work on other buildings that have survived
the fires of the past two centuries is similarly hidden beneath plaster
and many coatings of thick body colour, but it is unlikely that it will
be discovered until the old buildings themselves are in course of
demolition, so this one perfect example, which is but little known and
seldom visited, may be regarded as the sole existing memorial of that
school of Greeks and Byzantines which so powerfully influenced Muscovite
construction during the reigns of Alexis and Theodore II.
The literary culture was derived from Poland, and is not remarkable for
strength or beauty: Slavinietski confined himself to dogma; the
many-sided Polotsi, artist, administrator, pedagogue and poet, wrote
several volumes, and helped in the adaptation of old-world stories for
dramatic representation. In addition to several plays such as "The
Prodigal Son," "Shadrach, Meshach and Abednego" and "Esther," which
[Illustration: VOSSKRESENSKI VOROT AND IBERIAN CHAPEL]
were performed within the walls of the Uspenski Cathedral, profane
history afforded such themes as the "Siege of Troy" and "Alexander the
Great" for the amusement of the court in the private hall. Native themes
were not so general: "The Judgment of Chemiaki" was one; such plays as
the "Good Genius," "The Mirror of Justice," appear to have been derived
from the Arabs, and it is said that many themes from the Hindu
"Panchatantra" were also utilised. Prince Galitzin spoke Latin as
fluently as a German Professor; the tsarevna Sophia was his equal in
that tongue; and the princess, so far from being satisfied with the
routine of the terem, amused herself in writing a tragedy and a comedy
in verse, both of which were performed in Moscow. There seems to be no
doubt that great liberty was accorded her; but she, unfortunate in the
choice of her advisers, became ambitious, and herself was the principal
figure in one of the greatest of the real dramas Moscow has furnished.
The "Tranquil" Tsar, as Alexis became to be called, amassed great wealth
and amused himself in building a fleet for the Caspian Sea, which the
water-brigand, Stenki Razin, the pirate of the Volga, promptly
destroyed; and then Alexis, like Peter, played with toy boats on the
ornamental lake he had made in the Kremlin. To him, much more truly than
to Peter, do Karamzin's lines apply:--
"Russia had a noble Tsar,
Sovereign honoured wide and far:
He a father's love enjoyed,
He a father's power employed,
And sought his children's bliss
And their happiness was his."
Public-domain text, read in full here on John Shaqi.
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