She had at this time a workshop in Henrietta Street, Covent Garden. All hands were called into the service, and half an hour after the message came from the theater the new dress was started. That was at 10.30. Before 7 p.m. the new dress was in my dressing-room at His Majesty's Theater. And best of all, it was a great improvement on the dress that had been burned! It stood the wear and tear of the first run of "Merry Wives" and of all the revivals, and is still as fresh as paint! That very successful dress cost no time. Another very successful dress--the white one that I wore in the Court Scene in "A Winter's Tale," cost no money. My daughter made it out of material of which a sovereign must have covered the cost. My daughter says to know what _not_ to do is the secret of making stage dresses. It is not a question of time or of money, but of omission. One of the best "audiences" that actor or actress could wish for was Mr. Gladstone. He used often to come and see the play at the Lyceum from a little seat in the O.P. entrance, and he nearly always arrived five minutes before the curtain went up. One night I thought he would catch cold--it was a bitter night--and I lent him my white scarf! He could always give his whole great mind to the matter in hand. This made him one of the most comfortable people to talk to that I have ever met. In everything he was _thorough_, and I don't think he could have been late for anything. I contrasted his punctuality, when he came to see "King Lear," with the unpunctuality of Lord Randolph Churchill, who came to see the play the very next night with a party of men friends and arrived when the first act was over. Lord Randolph was, all the same, a great admirer of Henry Irving. He confessed to him once that he had never read a play of Shakespeare's in his life, but that after seeing Henry act he thought it was time to begin! A very few days later he pulverized us with his complete and masterly knowledge of at least half a dozen of the plays. He was a perfect person to meet at a dinner or supper--brilliantly entertaining, and queerly simple. He struck one as being able to master any subject that interested him, and once a Shakespeare performance at the Lyceum had fired his interest, there was nothing about that play, or about past performances of it, which he did not know! His beautiful wife (now Mrs. George Cornwallis West) wore a dress at supper one evening which gave me the idea for the Lady Macbeth dress, afterwards painted by Sargent. The bodice of Lady Randolph's gown was trimmed all over with green beetles' wings. I told Mrs. Comyns Carr about it, and she remembered it when she designed my Lady Macbeth dress and saw to its making by clever Mrs. Nettleship. Lady Randolph Churchill by sheer force of beauty of face and expressiveness would, I venture to prophesy, have been successful on the stage if fate had ever led her to it. "BEEFSTEAK" GUESTS AT THE LYCEUM