The Story of My Life: Recollections and ReflectionsTerry, Ellen
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The Story of My Life: Recollections and Reflections
Terry, Ellen
Actresses -- Great Britain -- Biography; Terry, Ellen, Dame, 1847-1928
Mrs. Bancroft told me that the production would be as beautiful as money
and thought could make it. The artistic side of the venture was to be in
the hands of Mr. Godwin, who had designed my dress for Titania at
Bristol.
"Well, what do you say?" said Mrs. Bancroft. "Will you put your shoulder
to the wheel with us?"
I answered incoherently and joyfully, that of all things I had been
wanting most to play in Shakespeare; that in Shakespeare I had always
felt I would play for half the salary; that--oh, I don't know what I
said! Probably it was all very foolish and unbusinesslike, but the
engagement was practically settled before Mrs. Bancroft left the house,
although I was charged not to say anything about it yet.
But theater secrets are generally _secrets de polichinelle_. When I went
to Charles Reade's house at Albert Gate on the following Sunday for one
of his regular Sunday parties, he came up to me at once with a knowing
look and said:
"So you've got an engagement."
"I'm not to say anything about it."
"It's in Shakespeare!"
"I'm not to tell."
"But I know. I've been thinking it out. It's 'The Merchant of Venice.'"
"Nothing is settled yet. It's on the cards."
"I know! I know!" said wise old Charles. "Well, you'll never have such a
good part as Philippa Chester!"
"No, Nelly, never!" said Mrs. Seymour, who happened to overhear this.
"They call Philippa a Rosalind part. Rosalind! Rosalind is not to be
compared with it!"
Between Mrs. Seymour and Charles Reade existed a friendship of that rare
sort about which it is easy for people who are not at all rare,
unfortunately, to say ill-natured things. Charles Reade worshiped Laura
Seymour, and she understood him and sympathized with his work and his
whims. She died before he did, and he never got over it. The great
success of one of his last plays, "Drink," an adaptation from the
French, in which Charles Warner is still thrilling audiences to this
day, meant nothing to him because she was not alive to share it. The "In
Memoriam" which he had inscribed over her grave is characteristic of the
man, the woman, and their friendship:
HERE LIES THE GREAT HEART OF
LAURA SEYMOUR
Public-domain text, read in full here on John Shaqi.
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