The Story of My Life: Recollections and ReflectionsTerry, Ellen
General
The Story of My Life: Recollections and Reflections
Terry, Ellen
Actresses -- Great Britain -- Biography; Terry, Ellen, Dame, 1847-1928
I have already said that the Taylors' home was one of the most softening
and culturing influences of my early life. Would that I could give an
impression of the dear host at the head of his dinner-table, dressed in
black silk knee-breeches and velvet cutaway coat--a survival of a
politer time, not an affectation of it--beaming on his guests with his
_very_ brown eyes!
Lavender is still associated in my mind with everything that is lovely
and refined. My mother nearly always wore the color, and the Taylors
lived at Lavender Sweep! This may not be an excellent reason for my
feelings on the subject, but it is reason good enough.
"Nature repairs her ravages," it is said, but not all. New things come
into one's life--new loves, new joys, new interests, new friends--but
they cannot replace the old. When Tom Taylor died, I lost a friend the
like of whom I never had again.
VI
A YEAR WITH THE BANCROFTS
My engagement with the Bancrofts lasted a little over a year. After
Portia there was nothing momentous about it. I found Clara Douglas
difficult, but I enjoyed playing her. I found Mabel Vane easy, and I
enjoyed playing her, too, although there was less to be proud of in my
success here. Almost anyone could have "walked in" to victory on such
very simple womanly emotion as the part demanded. At this time friends
who had fallen in love with Portia used to gather at the Prince of
Wales's and applaud me in a manner more vigorous than judicious. It was
their fault that it got about that I had hired a claque to clap me! Now,
it seems funny, but at the time I was deeply hurt at the insinuation,
and it cast a shadow over what would otherwise have been a very happy
time.
It is the way of the public sometimes, to keep all their enthusiasm for
an actress who is doing well in a minor part, and to withhold it from
the actress who is playing the leading part. I don't say for a minute
that Mrs. Bancroft's Peg Woffington in "Masks and Faces" was not
appreciated and applauded, but I know that my Mabel Vane was received
with a warmth out of all proportion to the merits of my performance, and
that this angered some of Mrs. Bancroft's admirers, and made them the
bearers of ill-natured stories. Any unpleasantness that it caused
between us personally was of the briefest duration. It would have been
odd indeed if I had been jealous of her, or she of me. Apart from all
else, I had met with my little bit of success in such a different field,
and she was almost another Madame Vestris in popular esteem.
When I was playing Blanche Hayes in "Ours," I nearly killed Mrs.
Bancroft with the bayonet which it was part of the business of the play
for me to "fool" with. I charged as usual; either she made a mistake and
moved to the right instead of to the left, or _I_ made a mistake.
Anyhow, I wounded her in the arm. She had to wear it in a sling, and I
felt very badly about it, all the more because of the ill-natured
stories of its being no accident.
Public-domain text, read in full here on John Shaqi.
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