Let me sum up a few of the elements that made Helen Keller what she is. In the first place she had nineteen months' experience of sight and sound. This meant some mental development. She had inherited vigour of body and mind. She expressed ideas in signs before she learned language. Mrs. Keller writes me that before her illness Helen made signs for everything, and her mother thought this habit the cause of her slowness in learning to speak. After the illness, when they were dependent on signs, Helen's tendency to gesture developed. How far she could receive communications is hard to determine, but she knew much that was going on around her. She recognized that others used their lips; she "saw" her father reading a paper and when he laid it down she sat in his chair and held the paper before her face. Her early rages were an unhappy expression of the natural force of character which instruction was to turn into trained and organized power. It was, then, to a good subject that Miss Sullivan brought her devotion and intelligence, and fearless willingness to experiment. Miss Sullivan's methods were so good that even without the practical result, any one would recognize the truth of the teacher's ideas. Miss Sullivan has in addition a vigorous personality. And finally all the conditions were good for that first nature school, in which the teacher and pupil played together, exploring together and educating themselves, pupil and teacher inseparable. Miss Keller's later education is easy to understand and needs no further explanation than she has given. Those interested may get on application to the Volta Bureau, Washington, D. C., the reports of the teachers who prepared her for college, Mr. Arthur Gilman of the Cambridge School for Young Ladies, and Mr. Merton S. Keith. CHAPTER IV. SPEECH The two persons who have written authoritatively about Miss Keller's speech and the way she learned it are Miss Sarah Fuller, of the Horace Mann School for the Deaf in Boston, Massachusetts, who gave her the first lessons, and Miss Sullivan, who, by her unremitting discipline, carried on the success of these first lessons. Before I quote from Miss Sullivan's account, let me try to give some impression of what Miss Keller's speech and voice qualities are at present. Her voice is low and pleasant to listen to. Her speech lacks variety and modulation; it runs in a sing-song when she is reading aloud; and when she speaks with fair degree of loudness, it hovers about two or three middle tones. Her voice has an aspirate quality; there seems always to be too much breath for the amount of tone. Some of her notes are musical and charming. When she is telling a child's story, or one with pathos in it, her voice runs into pretty slurs from one tone to another. This is like the effect of the slow dwelling on long words, not quite well managed, that one notices in a child who is telling a solemn story.