The Story of My Life: With her letters (1887-1901) and a supplementary account of her education, including passages from the reports and letters of her teacher, Anne Mansfield Sullivan, by John Albert MacyKeller, Helen
General
The Story of My Life: With her letters (1887-1901) and a supplementary account of her education, including passages from the reports and letters of her teacher, Anne Mansfield Sullivan, by John Albert Macy
Keller, Helen
Deafblind women -- United States -- Biography; Keller, Helen, 1880-1968
Thus it is that my friends have made the story of my life. In a thousand
ways they have turned my limitations into beautiful privileges,
and enabled me to walk serene and happy in the shadow cast by my
deprivation.
II. LETTERS(1887-1901)
II. LETTERS(1887-1901)
INTRODUCTION
Helen Keller's letters are important, not only as a supplementary
story of her life, but as a demonstration of her growth in
thought and expression--the growth which in itself has made her
distinguished.
These letters are, however, not merely remarkable as the
productions of a deaf and blind girl, to be read with wonder and
curiosity; they are good letters almost from the first. The best
passages are those in which she talks about herself, and gives
her world in terms of her experience of it. Her views on the
precession of the equinoxes are not important, but most important
are her accounts of what speech meant to her, of how she felt the
statues, the dogs, the chickens at the poultry show, and how she
stood in the aisle of St. Bartholomew's and felt the organ
rumble. Those are passages of which one would ask for more. The
reason they are comparatively few is that all her life she has
been trying to be "like other people," and so she too often
describes things not as they appear to her, but as they appear to
one with eyes and ears.
One cause for the excellence of her letters is the great number
of them. They are the exercises which have trained her to write.
She has lived at different times in different parts of the
country, and so has been separated from most of her friends and
relatives. Of her friends, many have been distinguished people,
to whom--not often, I think, at the sacrifice of spontaneity--she
has felt it necessary to write well. To them and to a few friends
with whom she is in closest sympathy she writes with intimate
frankness whatever she is thinking about. Her naive retelling of
a child's tale she has heard, like the story of "Little Jakey,"
which she rehearses for Dr. Holmes and Bishop Brooks, is charming
and her grave paraphrase of the day's lesson in geography or
botany, her parrot-like repetition of what she has heard, and her
conscious display of new words, are delightful and instructive;
for they show not only what she was learning, but how, by putting
it all into letters, she made the new knowledge and the new words
her own.
Public-domain text, read in full here on John Shaqi.
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