Much more that she cried they did not hear, for her voice came more
faintly to them through the wind, as the distance increased. From that
day she hated the king, though it is by no means clear that he approved
of Peter Steyper's violence. Finding her position in Sweden less
agreeable than she had expected, she was soon induced to return to
Norway, where she became a centre of mischievous intrigue. Among her
partisans was the king's cousin, Haakon Galen, a son of Sigurd Mouth's
daughter Cecilia and Folkvid the Lawman, a brave and reckless youth who
was deeply in love with the queen's niece, Mistress Christina.[A] Over
him the two women, both of whom were arch-plotters, had considerable
influence, and the desire rose in them to put him on the throne in his
cousin's place. King Haakon, who, if he had suspected his stepmother's
design, would have been on his guard, furnished her now with the
opportunity for accomplishing her evil purpose. He invited her and her
daughter to his Yule-tide feast, offering her the high-seat at his own
side. So far from being conciliated by this offer, the queen burst forth
vehemently: "Long shall I remember how I sat in the high-seat with my
lord, King Sverre, on Christmas Eve. Bring my greeting to King Haakon,
and tell him that I shall not share his high-seat to-night."
[Footnote A: Not the same as the Princess Christina, Sverre's and
Margaret's daughter.]
The king was aggrieved at this rebuff, and sent a second message,
begging her at least to allow his sister Christina to grace his feast by
her presence. The messenger added that the king was very wroth.
"Does he suppose," cried Margaret, "that I do not remember how he caused
my daughter to be torn away from me at Oslo, without his reminding me of
it into the bargain?"
To everybody's surprise, however, she began to dress for the feast, and
soon both mother and daughter entered the banqueting hall, where they
were received with much honor.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account