Nuremberg (Germany) -- Description and travel; Nuremberg (Germany) -- History
When the prisoner had been brought into the torture chamber and the
professional gentlemen (the Hangman and the Secretary) had decided how
much the patient could bear, operations began. A circular opening on the
inside of the room above the entrance marks the place behind which sat
the person who took down the prisoner's confession. Innumerable devices
and instruments had been invented, as we see in the Castle, by using
which separately and in combination the confession was extorted. Burning
candles held under the arms were found very effective and the favourite
Spanish methods, the Strappado (suspension by the arms behind the back
with weights to the feet), pouring water down the throat and applying
fire to the soles of the feet were in frequent use. We find many
varieties of the "little ease" or rack in the Castle. The severity of
the instrument is attested by the signature of our Guy Fawkes before and
after being submitted to that ordeal. But even less attractive than this
must have been the _peine forte et dure_. John Gow, it will be
remembered, in "The Pirate," stands mute even when his thumbs were
squeezed by two men with a whipcord till it broke, and again when it was
doubled and trebled so that the operators could pull with their whole
strength. But his fortitude gave way and he confessed when he had seen
the preparations for pressing him to death with the _peine forte et
dure_, a board loaded with heavy weights. A peculiar atrocity marked the
torture system of Scotland. Torture retained its place in that kingdom's
laws as long as she preserved the right of self-legislation. Her system
could not surpass, but it serves to illustrate the fiendish barbarities
of the Nuremberg questions. Readers of Sir Walter Scott will remember
his description of the "boot"--an iron frame in which the leg was
inserted and broken by iron wedges driven in with a hammer. The
penni-winkis, thumb-screws, and caschielawis, iron frames for the leg
heated from time to time over a brazier, were also favourite instruments
both there and here.
Public-domain text, read in full here on John Shaqi.
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