We have now dealt with the most famous of the Nuremberg craftsmen. It would be wearisome to do more than mention a few of the leading names amongst those who excelled in other branches of art. A host of locksmiths, glasscutters, potters and stovemakers, bookbinders and carvers turned out in the golden age of Nuremberg work which has never received its artist's name, but which continues to delight us. The painted glass, which in spite of much modern restoration is one of Nuremberg's most priceless possessions, is often by unknown hands. But we can name such artists as Schapfer and Helmbach and later Veit, Augustin and Sebald Hirschvogel, Guttenberger, Juvenell, Amnon, Kirnberger and Springlin. Especially is it the case with the early glass in the smaller churches that we must label it _Pictor Ignotus_. The principal churches contain painted glass windows which surpass even those of Ulm and Cologne. In St. Lorenzkirche there is the Tucher window (1457) by Springlin; whilst the Volkamer window (1493), representing the family and patron saint of the donor and the genealogical tree of Jesus Christ, is justly claimed to be, for richness and depth of colouring and for elaboration of design, one of the noblest windows in the world. It can only be doubtfully attributed to Veit Hirschvogel. To him, however, belongs the credit of the Maximilian window in St. Sebald's (1514), and the Margrave's window (1527), designed by Kulmbach, in the same church. There, too, is a window by Kirnberger and the Bishop of Bamberg's window (1493), which may perhaps be by Katzheimer of Bamberg. There were at one time fifty masters in the goldsmith trade, whose delicate work, excellent in execution and varied in design, was renowned throughout Europe. The fact that in 1552 nine hundred pounds' weight of silver and silver-gilt ornaments was taken from the churches and sold by order of the Council, will show how rich Nuremberg was in this respect. But we can do here no more than mention the names of Ludwig Krug and Wenzel Jamnitzer and Augustin Hirschvogel, goldsmiths and painters on enamel. Of armourers and metal-workers there were Hans Grünewalt, who died in 1503, and his son-in-law Wilhelm von Worms, whilst Martin Harscher (1523) and Kaspar Endterlein (1633) were chief among the makers of waterpots and candelabra. Sebald Behaim, the great gunsmith; Hieronymus Gärtner, the architect; Jakob Püllman, the clockmaker and locksmith, also claim mention.