As the interpreter, with the wooden voice, standing behind the chief,
gabbled out this rebuke of the Cherokee king's aspersions on
Montgomery, Stuart's ever quick eye noted an expression on the man's
face, habitually so blank and wooden,--he remembered it afterward,--an
expression almost applausive. Then his attention was concentrated on the
circumlocutions of Oconostota, who, in winding phrase almost
affectionate, intimated the tender truth that, without waiting for these
reënforcements, the enfeebled garrison could be overpowered now and
destroyed to the last man by a brisk onslaught, the Cherokees taking the
place by storm.
Stuart shook his head, and his crafty candor strengthened the negation.
"Not so long as the great guns bark," he declared. "They are the dogs of
war that make the havoc."
Then Oconostota, with that greed of the warlike Cherokee for the details
concerning this great arm of the British service, the artillery, always
coveted by the Indians, yet hardly understood, listened to a description
of the process by which these guns could be rendered useless in a few
minutes by a despairing garrison.
Their cannoneers could spike them after firing the last round. And of
what value would the fort be to the Cherokees without them,--it would be
mere intrenchments with a few dead men,--the most useless things under
the sun. The English government would bring new guns, and level the
works in a single day. The great chief knew the power of England. In the
days when Moy Toy sent his delegation to London, of which he and
Atta-Kulla-Kulla were members, to visit King George, they had seen the
myriads of people and had heard many great guns fired in salute to the
princely guests, and had assisted at the review of thousands and
thousands of soldiers.
And with the reminder of all these overpowering military splendors of
his great enemy, Oconostota began to feel that he would be glad to
secure possession of these few of King George's great guns uninjured,
fit to bark, and, if occasion should offer, to bite.
Public-domain text, read in full here on John Shaqi.
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