Prayer is the contrite sinner's voice,
Returning from his ways;
While angels in their songs rejoice
And cry, "Behold, he prays!"
Prayer is the Christian's vital breath,
The Christian's native air;
His watchword at the gates of death;
He enters heaven with prayer.
O Thou, by whom we come to God,
The Life, the Truth, the Way,
The paths of prayer Thyself hast trod:
Lord, teach us how to pray!
James Montgomery, 1818
THE HYMN LEGACY OF AN ENGLISH EDITOR
Shortly before James Montgomery died, a friend asked him, "Which of your
poems will live?" He answered, "None, sir; nothing, except perhaps a few
of my hymns."
Montgomery was right. Although he wrote a number of pretentious poems,
they have been forgotten. But his hymns live on. A perusal of almost any
evangelical hymn-book will probably reveal more hymns by this gifted and
consecrated man than by any other author, excepting only Isaac Watts and
Charles Wesley.
What a rich legacy was bequeathed to the Christian Church by the man who
wrote "Hail to the Lord's Anointed," "Prayer is the soul's sincere
desire," "Angels, from the realms of glory," "In the hour of trial," "Who
are these in bright array?" "According to Thy gracious Word," "Come to
Calvary's holy mountain," "Forever with the Lord," "The Lord is my
shepherd, no want shall I know," "Jerusalem, my happy home," and "Go to
dark Gethsemane!" Montgomery wrote about four hundred hymns in all, and
nearly one-fourth of these are still in common use.
Montgomery began writing hymns as a little boy. He was born at Irvine,
Ayrshire, Scotland, November 4, 1771. His father was a Moravian minister,
and it had been determined that the son James should also be trained for
the same calling. Accordingly he was sent to the Moravian seminary at
Fulneck, Yorkshire, England. The parents, however, were sent to the West
Indies as missionaries, and their death there made it necessary for James
to discontinue his schooling.
For a while he worked as a clerk in a store, but this was entirely
distasteful to one who possessed the literary gifts of Montgomery. At the
age of nineteen we find him in London with a few of his poems in
manuscript form, trying to find a publisher who would print them. In this
he was unsuccessful, and two years later we follow him to Sheffield,
where he became associated with Robert Gales, editor of the Sheffield
Register.
Public-domain text, read in full here on John Shaqi.
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