Nevertheless, strange as it may seem, the "Bay Psalmist" passed through
twenty-seven editions, and was even reprinted several times abroad, being
used extensively in England and Scotland. Gradually, however, psalmody
began to lose its hold on the Reformed churches, both in Europe and
America, and hymnody gained the ascendancy. The publication in 1707 of
the epoch-making work of Isaac Watts, "Hymns and Spiritual Songs," was
the first step in breaking down the prejudice in the Calvinistic churches
against "hymns of human composure." In America the Great Awakening under
Jonathan Edwards, which began in 1734 and which received added impetus
from the visit of John Whitefield in 1740, also brought about a demand
for a happier form of congregational singing. Then came the influence of
the Wesleyan revival with its glorious outburst of song.
Jonathan Edwards himself, stern Puritan that he was, was finally forced
to confess that it was "really needful that we should have some other
songs than the Psalms of David." Accordingly hymn singing grew rapidly in
favor among the people.
The first attempt to introduce hymns in the authorized psalm-books was
made by Joel Barlow, a chaplain in the Revolutionary War. Instructed by
the General Association of Congregational Churches of Connecticut to
revise Watts' "Psalms of David" in order to purge them of their British
flavor, he was likewise authorized to append to the Psalms a collection
of hymns. He made a selection of seventy hymns, and the new book was
published in 1786.
It was received with delight by the Presbyterians, but the
Congregationalists who had sponsored it were thoroughly dissatisfied. As
an example of the morbid character of Puritan theology, Edward S. Ninde
has called attention to the fact that while Barlow failed to include
Wesley's "Jesus, Lover of my soul" or Watts' "When I survey the wondrous
cross," he did select such a hymn by Watts as "Hark, from the tombs, a
doleful sound," and another beginning with the lines,
My thoughts on awful subjects roll,
Damnation and the dead.
A second attempt to make a complete revision of Watts' "Psalms of David"
was decided upon by the Congregational churches, and this time the task
was entrusted to Timothy Dwight, president of Yale College. Dwight, who
was a grandson of Jonathan Edwards, was born in 1752. He entered Yale at
the age of thirteen and graduated with highest honors in 1769. At the
outbreak of the Revolutionary War he was commissioned a chaplain and
throughout the conflict he wrote songs to enthuse the American troops. In
1795 he was elected president of Yale College, in which position he
served his Alma Mater for twenty years.
Public-domain text, read in full here on John Shaqi.
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