Paris (France) -- Description and travel; Paris (France) -- History
In 1642, when the mighty cardinal had attained the highest pinnacle
of success and fame, a mortal disease declared itself. His physicians
talked the usual platitudes of hope, but he would have none of them,
and sent for the _cure_ of St. Eustache. "Do you pardon your enemies?"
the priest asked. "I have none, save those of the state," replied the
dying cardinal, and, pointing to the Host, exclaimed, "There is my
judge." Louis heard of his death without emotion, and simply
remarked--"Well, a great politician has gone." In six months his royal
master was gone too.
Paris, under Marie de' Medici and Richelieu, saw many and important
changes. In 1612 a new Jacobin monastery was founded in the Rue St.
Honore for the reformed Dominicans, destined later to be the theatre
of Robespierre's triumphs and to house the great Jacobin revolutionary
club.[134] In the same year the queen-regent bought a chateau and
garden from the Duke of Piney-Luxembourg, and commissioned her
architect, Solomon Debrosse, to build a new palace in the style of the
Pitti at Florence. The work was begun in 1615, and resulted in the
picturesque but somewhat Gallicised Italian palace which, after
descending to Gaston of Orleans and his daughter the Grande
Mademoiselle, ends a chequered career as palace, revolutionary prison,
house of peers, and socialist meeting-place by becoming the
respectable and dull Senate-house of the third Republic. The beautiful
Renaissance gardens have suffered but few changes; adorned with
Debrosse's picturesque fountain, they form one of the most charming
parks in Paris. The same architect was employed to restore the old
Roman aqueduct of Arcueil and finished his work in 1624. In 1614 the
equestrian statue in bronze of Henry IV., designed by Giovanni da
Bologna, and presented to Marie by Cosimo II. of Tuscany, reached
Paris after many vicissitudes and was set up on the Pont Neuf by
Pierre de Fouqueville, who carved for it a beautiful pedestal of
marble, whereon were inscribed the most signal events and victories of
Henry's reign. This priceless statue was melted down for cannon during
the Revolution, and for years its site was occupied by a _cafe_. In
1818, during the Restoration, another statue of Henry IV., by Lemot,
cast from the melted figure of Napoleon I. on the top of the Vendome
column, was erected where it now stands. The founder, who was an
imperialist, is said to have avenged the emperor by placing pamphlets
attacking the Restoration in the horse's belly.
[Footnote 134: The Marche St. Honore now occupies its site.]
[Illustration: THE MEDICI FOUNTAIN, LUXEMBOURG GARDENS.]
Public-domain text, read in full here on John Shaqi.
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