Paris (France) -- Description and travel; Paris (France) -- History
Crowned vice was now succeeded by crowned folly. The grandson of Louis
XV., a well-meaning but weak and foolish youth, and his thoughtless,
pleasure-loving queen, were confronted by state problems that would
have taxed the genius of a Richelieu in the maturity of his powers.
Injustice, misery, oppression, discontent, were clamant and almost
universal; taxes had doubled since the death of Louis XIV.; there were
30,000 beggars in Paris alone, and from 720,000 in 1700 the population
had in 1784 decreased to 620,000. The penal code was of inhuman
ferocity; law was complicated, ruinous and partial, and national
credit so low that loans could be obtained only against material
pledges and at interest five times as great as that paid by England.
Wealthy bishops and abbots[157] and clergy, noblesse and royal
officials, were wholly exempt from the main incidents of taxation; for
personal and land taxes, tithes and forced labour, were exacted from
the common people alone. No liberty of worship, nor of thought:
Protestants were condemned to the galleys by hundreds; booksellers met
the same fate. Authors and books were arbitrarily sent by _lettres de
cachet_ to the Bastille or Vincennes. Yet in spite of all repression,
a generation of daring, witty, emancipated thinkers in Paris was
elaborating a weapon of scientific, rationalistic and liberal doctrine
that cut at the very roots of the old _regime_. "I care not whether a
man is good or bad," says the Deity in Blake's prophetic books, "all I
care, is whether he is a wise man or a fool." While France was in
travail of the palingenesis of the modern world, the futile king was
trifling with his locks and keys and colouring maps, the queen playing
at shepherdesses at Trianon or performing before courtiers, officers
and equerries the _roles_ of Rosina in the _Barbier de Seville_ and of
Colette in the _Devin du Village_, the latter composed by the
democratic philosopher, whose _Contrat Social_ was to prove the Gospel
of the Revolution.[158] Jean Jacques Rousseau, the solitary,
self-centred Swiss engraver and musician, has described for us in
words that will bear translation how an ineffaceable impression of the
sufferings of the people was burnt into his memory, and the fire of an
unquenchable hatred of their oppressors was kindled in his breast.
Journeying on foot between Paris and Lyons, he was one day diverted
from his path by the beauty of the landscape, and wandered about,
seeking in vain to discover his way. "At length," he writes, "weary,
and dying of thirst and hunger, I entered a peasant's house, not a
very attractive one, but the only one I could see. I imagined that
here as in Switzerland every inhabitant of easy means would be able to
offer hospitality. I entered and begged that I might have dinner by
paying for it. The peasant handed me some skim milk and coarse barley
bread, saying that was all he had. The milk seemed delicious and I ate
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