Paris (France) -- Description and travel; Paris (France) -- History
We pursue our way by the east end of the cathedral, where in mediaeval
times was an open waste, the Motte aux Papelards, the playground of
the cathedral servants, the graceful outlines of the apse and the bold
sweep of the flying buttresses ever varying in beauty as we pace
around. The south portal (ill seen through the iron railings) called
of St. Stephen or of the Martyrs is decorated with statues of the
saint and of other martyrs, with scenes of their martyrdom. The
inscription (p. 88) may be seen at the base to the R.
[Illustration: NOTRE DAME--SOUTH SIDE.]
[Illustration: NOTRE DAME--SOUTH SIDE--FROM THE SEINE.]
We may now enter the noble and harmonious interior, unhappily bared of
its rich old decorations, its tombs and statues cleared away, its fine
Gothic altar destroyed by clerical and royal vandals to give place to
renaissance and pseudo-classic pomposities (p. 252). We approach the
choir from the right aisle, noting a fourteenth-century statue of the
Virgin and Child on the left as we reach the entrance, perhaps the
very statue before which _povre Gilles_ did his penance (p. 142) and
proceed to examine all that remains of the "histories" in stone on the
choir wall round the ambulatory, twenty-three in number, begun in 1319
by Master Jean Ravy, mason of Notre Dame, and finished (_parfaites_)
by Master Jean le Bouteiller in 1351, all _dorez et bien peints_.
Those on the choir screen were destroyed by the Cardinal Archbishop de
Noailles in 1725. On the north side are twelve reliefs drawn from
earlier New Testament history: on the south are nine from later
episodes in the life of Christ. These naive mediaeval sculptures of
varying merit will repay careful examination. The gilding and
colouring are modern. Of the jewelled splendour of the western rose
and of the two great rose windows of the transepts the eye will never
tire. With every changing light new beauties and new combinations of
colour reveal themselves. Those who care to read the subjects will
discern in the north transept rose, incidents depicted in the life of
the Virgin, and eighteen founders and benefactors: in the south are
apostles and bishops crowned by angels.
[Illustration: INTERIOR OF NOTRE DAME.]
Public-domain text, read in full here on John Shaqi.
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