pediment sculpture on the Pantheon (p. 330) is here represented by 566, Philopoeman, the famous general of the Achaen League; busts of Arago and of Beranger; 567 _bis_, Child and Grapes, and a series of medals in the embrasures of the windows. Of Antoine Barye (1796-1875), pupil of pere Rude and another victorious assailant of the "Bastille of Classicism," this room exhibits three masterly works in bronze; 494, Centaur and Lapith; 495, Jaguar and Hare; and (no number), Tiger and Crocodile. A later contemporary and excellent master was Jean Baptiste Carpeaux (1827-1875), after whom Room VII. is named. Here stand his models for the famous group, Dancing, which adorns the Opera facade; and for The Four Quarters of the World, at the Fountain of the Observatoire. Among others of his productions may be cited a bronze group, Ugolino and his Children. In a new room (Salle Moderne) are some more recent works transferred from the Luxembourg, among which is Chapu's Joan of Arc. [Footnote 201: _Copiez, copiez toujours et surtout copiez juste_ was his favourite maxim.] [Footnote 202: The best criticism passed on this facile artist was uttered by Flaxman: "That man's hand is too great for his head."] SECTION V _The Louvre (continued)--Pictures: First Floor._ (_a_) FOREIGN SCHOOLS. We enter by the Pavilion Denon, in the middle of the S. wing, opposite the Squares du Louvre which are bounded on the W. by the Place du Carrousel and the monument to Gambetta. Turning L. along the Galerie Denon we mount the Escalier Daru to the first landing below the Winged Victory (p. 341), turn R., ascend to a second landing, and on either side find two charming frescoes from the Villa Lemmi, which was decorated by Botticelli to celebrate the Nuptials of Lorenzo Tornabuoni and Giovanna Albizzi.[203] To the L., 1297, The Three Graces are presented to the bride; R., 1298, The Seven Liberal Arts to the bridegroom. The latter fresco is generally believed to have been the work of a pupil. On the wall that forms an angle with this is a fresco, The Crucifixion, 1294, by Fra Angelico from the Dominican monastery at Fiesole. A door L. of 1297 leads to ROOM VII.