Enclosing this hall are a series of Cabinets XX.-XXXVI., containing a large and important collection of works by the Netherland painters. We ascend, turn R., and enter Room XX., which is devoted to Franz Hals and contains 2386 and 2387, superb portraits of Nicholas van Beresteyn and his wife; and 2388 the same, with their Family; 2383, Descartes. Room XXI., Cuyp, after whom the room is named, is seen in four typical works, 2341-2344; 2415 and 2414 are excellent Dutch Interiors by Peter de Hoogh. In Room XXII. reigns the jovial Van Steen: two characteristic paintings are here shown; 2578, Feast in an Inn, and 2580, Evil Company. 2587 is a masterly Terburg, The Amorous Soldier, and 2459 a similar subject treated by Gabriel Metsu. Room XXIII. is assigned to Van Goyen, and Room XXIV. to Adrian van Ostade, Hals' pupil. In the latter room, 2495, the so-called Family of the Painter, and 2496, The Schoolmaster, stand forth pre-eminent. 2509 and 2510, Travellers Halting and a Winter Scene, are by Adrian's brother, Isaac. Room XXV. is rich in landscapes by Ruysdael, of which 2557, The Forest, and 2558, Tempest near the Dykes of Holland, are masterpieces: 2588, The Music Lesson, is a fine Terburg. Room XXVI., dedicated to Hobbema, contains his fine landscapes: 2403, A Forest Scene, and 2404, The Mill, and another exquisite Terburg, 2589, The Concert. Some typical Paul Potters also hang here. We proceed round to Room XXIX., which holds a precious collection of Van Eycks and Memlings. 1986 is an exquisite little masterpiece painted by Jean with infinite patience and care, Virgin and Child and Donor. Fine Memlings are:--2024, The Baptist; 2025, The Magdalen; 2027, Marriage of St. Catherine; 2028, a Triptych--the Resurrection, St. Sebastian and the Ascension Here too are hung, 1957, Gerard Dow's Wedding at Cana; 2196, Van der Weyden's Descent from the Cross, and some excellent Flemish school paintings. Room XXX. is the Quentin Matsys Room: 2029 is the well-known Banker and his Wife, of which many replicas exist; 2030, by the same artist, Virgin and Child. The fine example of the fifteenth-century painter, known as the Master of the Death of Mary, 2738, hangs in this room. This profoundly reverent and sincere work consists of: a central panel, Descent from the Cross, below which is The Last Supper, and above, in the lunette, St. Francis receiving the Stigmata; Friar Leo is seen asleep against a rock. A remarkable work by Peter Brueghel, The Blind leading the Blind, will also arrest attention. Room XXXI., named after Anthony More, contains a miscellaneous collection, among which the artist's portraits (2481A) of Edward VI. of England, and of (2479) a Spanish Dwarf, and Peter Brueghel's Village, 1918, and a Country Dance, 1918B, are of chief interest. The Teniers Room, XXXII., shows some excellent works by the younger master: 2155, St. Peter denies his Lord; 2156, The Prodigal Son; 2157, Works of Charity; 2158, Temptation of St. Anthony.