We proceed to supplement this small collection of Barbizon pictures by a visit to the recently acquired (1903) Thomy-Thiery and Chauchard collections. Returning to the Salle La Caze by Room XVI., and the Escalier Daru, we issue from it, pass direct before us and continue through the rooms devoted to exhibits of furniture (in Hall II. is a superb specimen of cabinet-work--Louis XV.'s writing-table). Turning R., we then enter a series of Cabinets, containing an admirable and most important collection of drawings, beginning with the early Italian masters and following on chronologically to the later Italians and to the German, Netherland and French masters. If the visitor have leisure he will be repaid by returning at some convenient time to study these carefully. But even the most hurried traveller should not omit to glance through them, and more especially at the lovely Da Vincis in the second cabinet and the Ingres drawings further along. Arrived at the end, we shall find on our L. a wooden staircase, which we mount and reach ROOM XXXVII. the Salle Francaise de 1830. Here are exhibited Delaroche's Princes in the Tower; Flandrin's Portrait of Mme. Vinet and some early works of the Barbizon school; Corot, 139, the Forum at Rome; 140, the Colosseum; 141F, The Belfry at Douai and others. Millet's sketch of the Church at Greville, 641, was found in his studio after his death; another study is 642, The Bathers; 644A, The Seamstress, 642A is a portrait of the artist's sister-in-law. By Rousseau are two small landscapes, 831 and 832; and The Landes, 830, a masterpiece. Diaz and Dupre are seen in a number of studies and paintings. ROOM XXXVIII.