Paris (France) -- Description and travel; Paris (France) -- History
At length we reach again the collection of paintings, Room III.,
whence we may pass through the Salle des Bijoux with a small exhibit
of ancient jewellery, to the Rotonde, and turning L., enter the
magnificent Galerie d'Apollon (the old Petite Galerie of Henry IV.),
and examine the wealth of enamels; the exquisite productions of the
goldsmith's art as applied to the sacred vessels of the church;
precious stones; cameos; and such as remain of the old crown jewels.
We may leave the palace by returning to the Rotonde; pass through the
Salle La Caze and descend the Escalier Henry II. to the L., noting the
caissons of its ceiling, decorated by Jean Goujon, and reach the
Quadrangle under the Pavilion de l'Horloge, where we began our visit;
or we pass from the Rotonde down the Escalier Daru to the exit in the
Pavilion Denon, which gives on the Squares du Louvre. In the latter
case it will be of some interest before leaving to pass for a moment
by the exit and along the Galerie Mollien, where on the R. among the
models of Roman masterpieces executed for Francis I., under
Primaticcio's supervision, will be found one of the Laocoon, which
shows its condition before Bernini's bungling restoration had deformed
the group. To the unsated sightseer there yet remain the rich and
comprehensive collections of Egyptian and Asiatic antiquities on the
ground floor of the E. wing entered on either side of the E. portal.
SECTION VI
_The Ville (S. of the Rue St. Antoine)--The Hotel de Ville[222]--St.
Gervais--Hotel Beauvais--Hotel of the Provost of Paris--SS. Paul and
Louis--Hotel de Mayenne--Site of the Bastille--Bibliotheque de
l'Arsenal[223]--Hotel Fieubert--Hotel de Sens--Isle St. Louis._
[Footnote 222: Open, 2-4, by ticket obtained at the Secretary's
office.]
[Footnote 223: Open, 10-4, daily, except Chief Festivals.]
We take the _Metropolitain_ to the Hotel de Ville station and make our
way to the Place de l'Hotel de Ville, formerly Place de Greve, a
little W. of the station.
Public-domain text, read in full here on John Shaqi.
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