The Story of Paul Jones: An Historical RomanceLewis, Alfred Henry
General
The Story of Paul Jones: An Historical Romance
Lewis, Alfred Henry
Jones, John Paul, 1747-1792 -- Fiction
“You forget that Aimee is a Bourbon,” returns the Duchess, with a
fashion of malicious satisfaction. He has deserted her for his Aimee; it
is her revenge to irritate his pride. “You are a valorous man, and the
king makes much of you. Besides, you beat the English, whom he fears
and hates. And yet he does not forget that you are a peasant--as I did.
Marry Aimee, my friend--. marry a Bourbon, even a Bourbon by the left
hand, and King Louis will bolt the doors of France in both your faces.
Indeed, the Bastile might be the end of it for your Aimee.”
“I think your royal highness sees unnecessary ghosts,” he replies, with
a sneer. Just the same, that linking of the Bastile and Aimee alarms
him. “Without pausing to question the king’s powers touching Bastiles
and French doors, I may tell you he has already heard that I love Aimee.
Doctor Franklin, himself, told me.”
“Love Aimee! Yes; love her as much and to what limit you will! The king
will never resent that. But do not let the whisper that you have married
Aimee reach the kingly ear. Can you not understand! Here, I will put it
in the abstract. A Princess may have a _liaison_ with a peasant, and in
the shadow of that dishonor she will remain forever a Princess. Should
the Princess, in some gust of virtue, be swept into a marriage with the
peasant, she becomes instantly a peasant. It is one of those strange
cases, my friend, where the word ‘wife’ is a stain and the word
‘mistress’ no stain at all.”
It is midnight; two candles burn dimly on the altar of “Our Lady of
Loretto.” The great chapel is dark and vacant; the feeble light does
not reach the vaulted roof, and the groined arches disappear upward in a
thick blackness.
At the altar stands a priest. Near the rail is gathered a group of four,
the Duchess de Chartres, the good Marchioness de Marsan, Aimee--heart
a-flutter, her pink cheeks hidden in a veil--and Commodore Paul Jones.
The priest draws the Duchess aside.
“Your royal highness,” he whispers, pleadingly, “I am afraid.”
“Afraid of whom, pray?”
“The king, your royal highness.”
The Duchess makes an angry motion with her hand, while her little
boot smites the stone floor and sends an echo through the room’s vast
emptiness.
“Father Joseph, observe! You are my almoner. Through your hands I give
fifty thousand louis to the poor of Paris, and keep you in fatness
besides. It is I, not the king, whom you should fear.”
And so, before the flickering altar candles, Commodore Paul Jones weds
Aimee Adele de Telison. In the book which the Duchess and the good
Marsan sign as witnesses, Father Joseph, with a pen that shakes a
little, records the nuptials of “Monsieur le Joignes and Mademoiselle
Adele de Bonneval.” For “de Bonneval” was the dead King’s name for
Aimee’s mother in the days of Monsieur le Bel and the Parc-aux-Cerfs.
CHAPTER XXIV--THAT HONEYMOON SUB ROSA
Public-domain text, read in full here on John Shaqi.
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