So King Louis of France went out across the Umbrian hills, the Umbrian
Saint returned to his cell, and Perugia added a new and splendid number
to her list of royal visitors. Probably this story, be it a myth or be
it truth, has caused the confusion between the French King and the
French bishop, one of whom is certainly a patron of the city to this
day. The lilies of France are scattered everywhere at the feet of the
Umbrian griffin. But the true patron of Perugia is S. Louis Bishop of
Toulouse, and as far as we know the visit of King Louis of France was
only recorded by the author of the _Fioretti_.
CHAPTER VIII
_Via dei Priori--Perugino's House,--Madonna della Luce--S.
Bernardino and S. Francesco al Prato_
Just under the bell tower of the Palazzo Pubblico a narrow street,
called the Via dei Priori, well-paved, and preserving many
characteristics of the mediæval city, runs steeply down through the
Porta S. Susanna and into the open country by the station. Once when the
nobles were fighting in the square above, or more probably in the Corso,
the blood flowed so freely that it is said to have come running down the
street in a crimson stream at night--hence the name of Via del
Piscinello which is given to the street a little lower down. The houses
are very old, very grim, and closely packed in the Via dei Priori. The
_lumieri_, where the heads of enemies were hung, stand out maliciously
upon the walls of the Palazzo Pubblico to the right, and many of the
palaces have still their narrow doors for the dead or _porte del
mortuccio_.[76]
From the Chiesa Nuova (built in 1218 but entirely remodelled and spoilt
by bad decoration) a narrow street leads off to the left and down past
some charming red brick palaces into a narrower street where what is
known as Perugino's house still stands.
[Illustration: THE OLD COLLEGIO DEI NOTARI, SAID TO BE THE STUDIO OF
PERUGINO]
Though there seems to be but very slight evidence about the real abode
of the painter, his studio has been fixed in the beautiful old corner
palace with the red marble windows in the Via del Commercio off the
Corso. But one place does as well as another to pin a legend to,
[Illustration: TORRE DEGLI SCIRRI]
Public-domain text, read in full here on John Shaqi.
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